forty-six

This time last year, I wrote about learning about kindness. That wouldn’t truly start until almost February, despite my protests to the contrary. 2022 would end up being a real bugger of a year, followed by a real bitch of a start to 2023.

2023 isn’t shaping up great in the first half, but the farther I go, the more I realize there’s no turning back, only giving up.

And since this is it, this is all we have, then that doesn’t really seem like a great option.

Since this time last year, I finish my novella The Mungk, wrote a couple of poems (one of which was published), a four issue crime comic (unpublished) and a trio of short stories (also unpublished). I’m working on my first full-length novel – a horror about kindness.

I’ve read more than seventy-five books, roughly fourteen hundred comics, and take ten minutes daily to meditate. I’ve built up my exercise regime, although it’s not helping my waistline, which is definitely bigger than this time last year. I’ve tried over two hundred new recipes. Listened to almost four hundred albums.

Life’s weird.

Here’s hoping forty-six runs a lot smoother than forty-five.

Target: 1400 words
Written: 1423 words, novel: Father Lightning

rushing

What a world. France on the way, Temagami in the summer. Grandchildren. Hell, if you’d asked me where I’d be when I was this age, I would have said dead from drunken rock star status as one of the world’s most influential and beloved authors.

Instead, it’s slow liver failure in obscurity, surrounded by family and no friends, having published nothing.

But also, having travelled and made love and enjoyed at least part of my time. I feel like I’ve grown more than some, which is itself a feat.

Enjoyment of the simple is the new credo, the complexity born of which is the only truly grand thing in nature.

Complexity from complexity is vanity and the pretense of cleverness; it has little to no bearing on reality or quality.

The complexity of simplicity, however? Of such all great things are born.

Target: 1300 words
Written: 2757 words, novel: Father Lightning

feathers falling

We are falling
falling down
falling under
rising up
The wind lifts us
a tempest against a fading storm
We spread our feathers
a wild beating of wings
Against the throngs below
they are not us
they are ages old
They wish a return
We wish a future
And time is on our side
If they haven’t used it all up
They cannot last forever
We have flown so far
We have seen the moon and the stars
We have risen
We will not be dragged low
We spread our feathers
a wild beating of wings
They cannot contain us
We must soar

Target: 1200 words
Written: 977 words, short story: Broke Down Car

roses and violets

Roses are red
Violets are blue
Hearts are black
And lungs are bruised
Legs are weary
Head aches
I’ve gone too far
Before I wake
The road behind
Is trampled waste
Lessons learned
And lost in haste
Roses red
And dipped in black
Falling slowly
Down my back
Burning muscles
Acid lungs
I’ve come to know
My race is run
And if I die before I wake
May someone find
What I meant to make

Target: 1200 words
Written: 563 words, short story: Broke Down Car

the mungk

It’s hard to describe the feeling of peace when you let a piece of writing that’s dwelled inside you for so long go, especially when it’s one that took you to a very dark place.

I have ideas.

I have lots of ideas.

As it stands, I’ve over three dozen ideas for novels written down, in part, and at least a dozen ideas for comic books. Hundreds of short stories. Poetry just tends to happen.

But The Mungk represents a starting point for me. While someday, I hope to write novels about the Great Way, blending reality and all things good, today, here, now, The Mungk focuses on everything and anything awful in life.

Feelings of hopelessness, of loss. Of trauma and drain, the kind that wears you down over the course of a life and leaves you withered and bitter fruit.

And I’m glad to see it go. I suspect there will be some residuals, as I try to sell the thing to a publisher or an agent, but it’s a novella. Not particularly saleable in the best of times, no matter how good.

In any case, it’s done. No more editing. No more putzing about with it. It’s time to send it out into the world to spawn its feckless devils. If I can’t get any takers in a year, I’ll publish it myself. From this point on, everything I write gets out there in some way. The universe receives it, whether it’s wanted or not.

Peace, Mungk.

Target: 1200 words
Written: 1449 words, novella: The Mungk

slight consideration

I’m taking my own well-being into account these days. I knew I would start small, and I did.

I read short books. Crappy books. Short comic series. Standalone movies. Single season shows that got cancelled.

I wrote a haiku.

A piece of flash fiction.

A one-shot comic.

A short story, which was really more of a noir, back-twisted rant I didn’t believe in.

Weirdly, all the individual work was published. The comic is pending, because comics are collaborative, and I’m an anxious collaborator, in the sense that I’m terrified of anything beyond the script stage.

I try to remember. Little things build to bigger. Most overnight successes spent ten or more years laying groundwork.

Learning. Mastering. You don’t pick up a guitar and channel Jimi or Kim Thayil.

That shit takes time.

Piece by piece. Trying to remember, it’s not about hitting targets. No such thing as delayed gratification; the joy is found in each stage. To defer it to the end is to guarantee frustration and a fleeting moment of exultation, if we even make it that far.

Most of us will not.

Target: 800 words
Written: 631 words, novella: The Mungk

forty-five

I don’t know why, but this birthday feels different. Perhaps it’s because I just went through one of the roughest periods of my life. Call it my Mungk phase, in which I learned most definitely what I did not want in my life.

It could also be my mother-in-law’s hospitalization. I’ve already had three grandparents die, but this is the first in the generation right before mine that’s gone. Everyone younger has been more tragic than fact-of-life aging.

I’m definitely feeling it. Still, I can’t claim no progress. I’m writing a novella. I had three things published – two short stories and a haiku. I wrote a one-shot comic that could be fun to draw (and it’s increasingly looking like I might need to do that myself, despite my lack of ability).

The process could be good. Find the pitfalls on my own so I can have a better rapport and understanding with future collaborators.

As I head into a new draft of The Mungk, having ideas for a four-issue crime comic, three more short stories (including one that strays into novelette territory) and another couple of poems, I’m actually a little proud, even if the work is a bit raw and I’m feeling less than inspired lately. I’ve read over forty books since I penned that first haiku back on St. Patrick’s Day. I’ve read almost five hundred comics. Lost a pound. Built my meditation practice up to five whole minutes a day. Listened to almost a hundred and fifty albums. Learned forty new recipes.

I get it. It’s a little ridiculous, but it’s important to acknowledge even small steps forward. If The Mungk was about feeling all the bad things at once to understand how I don’t want to feel, the next one has to be about finding a way forward. Finding a few moments of kindness in the dark. Being nicer to myself, included.

Target: 700 words
Written: 1324 words, novella: The Mungk

huh, again

Well, this is exciting. I broke down my writing career into a little more than three dozen book ideas, plus another dozen or so comic ideas, and like a lot of writers, a few hundred short story ideas. All in all, by the time I was done brainstorming, I had almost two thousand ideas.

Anyway, for the first part, as I was writing The Mungk, I thought I’d take a crack at a half-dozen other smaller things while I was at it, and you know what? As of today, three of the four things I’ve sent out have been published, which is cool. The fourth is a comic book whose artist is yet to be found (well, technically, he was found – a friend of mine whose style was perfect for it, but we’ve been out of touch for while. I miss him, to be honest. I meant it to be a one-off, a showcase issue to show I can write and he can draw, by giving lots of different looks to create, intended as a one-and-done, intentionally light and self-contained. It was more punchline than plot, which was fine. It had an internal logic.)

Anyway, someday on the comic, I hope, even if I have to do it myself, like so many of my indie heroes. (Unlike my indie heroes, I don’t draw often, so let’s just hope it doesn’t come to that, since you know. Not great.)

There’s another “super-secret” project that’s really just freewriting around a very loose idea, to be published for free online, more of an audience builder/test subject type thing, but we’ll see. It won’t be officially published anywhere save as a self-published, online deal.

But still. Exciting. And kudos to the editors, particularly Tom Ball at Fleas On The Dog and Matthew Sorrento at Retreats From Oblivion. Great editing means addition from subtraction and they’ve both done a hell of a job with my short little pieces. Good on them for being better able to see what I could not. We get so close to these things that we lose perspective sometimes. Having someone who can see through it and strip the fat from it, even in a piece of flash fiction like The Ineffable Hat, is much appreciated.

I’ve read enough articles about writers railing against bad editors to wonder what it was really like. Not being from the publishing world, I wasn’t sure what to expect, but these guys have proven how valuable a good editor is. I suspect there might be more than a little ego at play in those articles I read; some loss of perspective or inability to step outside oneself and see the bigger picture. While I’m sure bad editors do exist, from what I’ve been exposed to, the feedback has been more liberating than off-putting.

I continuously push myself to open up my world, no matter how miserable that can be at times, so anything that forces me to set ego aside and look at something with fresh eyes is invaluable.

I look forward to sharing the new thing, when it comes out.

Target: 600 words
Written: 194 words, novella: The Mungk

myopia

Nothing tears us down quite like the things we don’t acknowledge in our lives.

The subjects we ignore – like weight or the effects of smoking or a toxic relationship. The need to move on from a soul crushing job. That was the impetus behind the Birds Fall haiku; the idea that what ultimately defeats us is not the thing we saw clearly, but the thing we never saw at all, or tried desperately not to think about.

We let it slide until it’s too late, until it’s too big of a problem to fix without suffering some serious collateral damage.

I know I have these blind spots. Depression. Shyness. Alcohol. Weight. The aforementioned soul crushing work. On any given day, there’s probably a half-dozen to a dozen of these types of things I’m actively trying to avoid thinking about, and probably twice that when you factor in the stuff I’m so oblivious to that I won’t see it coming until it punches me full in the face.

Life ain’t easy. Presence and awareness are wonderful watchwords, but most of us could never do it so consistently that we actually manage to have most of our shit under control. Control is an illusion. We do our best to avoid suffering and increase pleasure in the moment (more often opting for less suffering than actual pleasure), because that’s the best we can do.

We haven’t been raised to pay attention to these things. I suspect our world would be a very different place if we were. Capitalism, fascism, Trumpers, conspiracy theorists – all gone, because we’d be able to face our greed, our lust for power and control, our willingness to smother our brains in delusion and the false promises and outrage of others.

We’d look straight in the mirror and say:

This is bullshit. We are bullshit. We need to do better.

And then do better. Or not. Who could ever tell?

The world will end one day and it won’t be because we opened our eyes and called ourselves out on our poor behaviour. It will be because we squeezed them tightly shut and pretended there was no such thing as consequences.

Target: 100 words
Written: 213 words, short story: The Ineffable Hat