process vs 4.0s

I was thinking about Tom Sterner’s note of the conundrum of actual learning versus the grades-based culture of modern education. How if a 2.0 and a 4.0 GPA go up against each other for the same job, the job will go to the 4.0 every time because the 4.0 represents to our product-based society the most potential.

On the other hand, if the 2.0 had focused on learning what they needed to learn, learning to live in the process, but not scoring well, they’d have nothing to show for the fact that they knew more and were better long term learners than the 4.0.

It’s presented as a paradox, but the more I think about it, it doesn’t matter. Maybe it matters to the hiring party, but functionally, having learned to live in the process, the 2.0 is better off in a thousand different ways, including self-sufficiency and quality of life and presence.

Are they really disadvantaged? They actually know how to do things. They know stuff. They are enjoying the process, and that always attracts attention.

I don’t know. I’m not sure it’s all that dire. That’s all I’m saying. Would that we could do away with the grade system in favour of, you know, actual learning, and I think we’d all be better off.

Target: 1500 words
Written: 1287 words, novel: Father Lightning

Read: Against The Fall Of Night, Arthur C. Clarke
Comics: Spartan: Warrior Spirit 2-3, Grifter 4-5
Music: Fixed, Nine Inch Nails

midnight library

My daughter is listening to this audiobook, and I can’t help but think it dovetails with my idea of an afterlife (of just spending all one’s time exploring all the possible scenarios and things one wanted to know in one’s life), only instead of curiosity and wanting to know what one’s missed, it’s a testament to human restlessness, of its ridiculous dissatisfaction with literally everything.

FOMO is destroying the world.

Of that, I have no doubt. Envy is a real bitch.

Target: 1500 words
Written: 506 words, novel: Father Lightning

Read: Time For A Tiger, Anthony Burgess
Comics: Team One/WildC.A.T.S. 1, Spartan: Warrior Spirit 1, WildC.A.T.S. 22, Grifter 3
Music: Five Hundred Pounds, Big Sugar

disappointments

You know how when your favourite artists love something, you kind of assume that because you’re into their work, you’d also be into the stuff that inspired them?

Like if Foo Fighters said they were into the Clash and the Ramones, I’d be like, I feel that, man.

That doesn’t always work. For example, I understand why Kurt Cobain would be into the Vaselines or David Bowie, but I will never understand the Meat Puppets.

The same, apparently, is true of Steve Aylett. I found him because multiple authors I was into said he was so good and groundbreaking and awesome.

Yeah.

I don’t get it.

The Crime Studio is an entire book, essentially written in the style of Luis telling his heist story in Ant-Man. And while that can be a funny bit over the course of a minute or three in a two hour movie, it’s annoying as fuck over a hundred and fifty pages (while simultaneously having the gall to slag Updike, Amis and Delillo – dude, you’re not better. This is college kid trying on an 80s movie punk persona and thinking he’s somehow managed the depth of James O’Barr, while really only succeeding in pretentious amateurishness posing as rebel pastiche. Who’s pretentious now, motherfucker? That’s right. Pastiche).

So, sorry, authors whose work I respect and adore. In this one, we don’t agree. Thumbs down.

Target: 1500 words
Written: 449 words, novel: Father Lightning

Read: The Crime Studio, Steven Aylett
Comics: Gen 13 v4 37-39, Team 7 v4 0
Music: Fight For Your Mind, Ben Harper

good friday

You know what? It was a good Friday.

Time off, time to write, time to read and play video games?

I’ll fuckin’ take it.

Target: 1500 words
Written: 1428 words, novel: Father Lightning

Read: Harry Potter And The Philosopher's Stone , J.K. (don't call me Joanne) Rowling
Comics: Gen 13 v4 13-16
Music: Ferment, Catherine Wheel

it just occurred to me

Is Jonathan Franzen going to someday read this, and call every publisher out there to blackball me?

I’m sorry, Mr. Franzen.

I take it back. It was wonderful and not at all poorly structured and written with underdeveloped characters, meaningless storylines and a deeply unsatisfying ending that inspired apathy instead of thought or emotion.

Of course, this is what apathy looks like. He might even call it a win for provoking a reaction, but I’ll tell you – this is the same reaction I had after my old roommate dragged me to both Star Wars: The Phantom Menace and the first Fast & Furious movie.

I was livid with him.

We have such short lives – why waste it on bad art?

Target: 1500 words
Written: 1549 words, novel: Father Lightning

Read: The Bluest Eye, Toni Morrison
Comics: Gen 13 v2 48-51
Music: Family Man, Black Flag

sorry again

Like, I don’t know you, Jonathan Franzen, so you could be a really nice guy. You could also be a complete dick.

I don’t mean to shit on your work. Maybe I missed something. Maybe it somehow flew over my head.

The thing is, I have a really good bullshit detector. When someone’s full of it, I pick up on it pretty damn fast. I called Donald’s rise to fascism the day he rode down that fucking escalator.

So when I see pretentious bullshit being lauded as genius, I get a little pissed.

It’s not that you can’t be a little pretentious. Look at Chuck Palahniuk or Radiohead. The difference there is that they’ve infused depth and meaning and real heart and guts into their work. It’s not just an intellectual exercise to give the appearance of infinite genius, like modern art or Moulin Rouge.

There’s a reason I’ll take the Vandals over Rush any day. And I’m Canadian.

(Rush is bullshit – there’s like two good songs, the rest is show-offy prog rock borefests. Sorry, other Canadians. You’ve got shit taste. Fuckin’ Nickelback, for Pete’s sake).

Anyway, maybe I missed the heart and guts and fun and investment and meaning of this book. Maybe you had a real vision you were passionate about.

Unfortunately, it still comes across like a rough idea that you tried to flesh out in the middle of writing it, but couldn’t keep track and then realized a lot of shit didn’t matter, characters didn’t behave how you needed them to behave and rather than going back and editing to make it all work, you just got bored of it and said fuck it. You even put your lack of care and abandonment of the idea in the book.

You were the voting public, who barely turned up and didn’t give a shit.

So why should we?

Did I just crack the riddle of what people saw in it?

Five hundred pages of poorly written setup, just to give up?

This reminds me of the time I watched No Country For Old Men and it was all build up, and then just ended, abruptly, pointlessly, in a monstrous letdown.

And the Coen brothers I like.

Target: 1500 words
Written: 436 words, novel: Father Lightning

Read: The Bluest Eye, Toni Morrison
Comics: Gen 13 v2 45-47, Gen 13: A Christmas Caper 1
Music: The Fallout, Default

sorry, jonathan

I mean, my opinion on The Twenty-Seventh City stands, but yeah, there’s no need to denigrate other people. Maybe he’s a nice guy.

Maybe not.

Sorry, either way. I am trying to be kinder, and again, while I won’t apologize for thinking the book was garbage, I probably didn’t need to make it sound like Franzen was a piece of shit.

Unless he is.

Target: 1500 words
Written: 2525 words, novel: Father Lightning

Read: The Bluest Eye, Toni Morrison (oh thank god, something decent)
Comics: Gen 13 vs 42-44, Wild Times: Gen 13 1
Music: Fake Plastic Trees, Radiohead

the twenty-seventh fucking city

That’s right, I kept the G, so you know I’m fuckin’ serious.

I know, for whatever reason, Jonathan Franzen is consider a literary icon. I assumed for good reason. Like when I discovered Look Homeward, Angel or found at least something worthwhile in The Broom Of The System.

This book, apparently, at least according to Wikipedia, was hailed as the birth of a new literary master.

I disagree.

While I was mildly intrigued by S. Jammu and what game she might be playing, at no point was her end game or motives ever really established and this nonsense that popped up a handful of times about the State never paid off, or amounted to anything.

I thought maybe it picked up when the people fell from the balcony at the baseball game, but nope, went right into the next three hundred pages of pointless municipal politics. At no point was it ever actually explained why the city of St. Louis and its surrounding county would be god or bad, only that there was some grifting going on.

There were a ridiculous number of storylines that went nowhere, had little bearing on the plot or the characters (most of whom had completely indistinguishable motivations) and ultimately ended up being utterly pointless. (See the main character’s daughter, most of his colleagues, the guy trying to expose Jammu and his childhood friend).

Characters behaved however the author felt they needed to behave. Here, S. Jammu is some political savant, a Moriarity slowly taking over the city of St. Louis. Then, she’s an insecure child. What was the thing about the two lovers, the kidnapper and the one her mother sent? None of that had a point.

And don’t even get me started on the hooker the main character’s brother-in-law had dressing up as the main character’s wife. She’s portrayed through ninety percent of the book as this underrated player, who has a plan to somehow screw over Jammu and the brother-in-law, even slipping Jammu’s agents and killing one in London, only to return and suddenly be entirely nuts, thinking she’s the main character’s wife like some kind of disassociated schizophrenic. Her storyline ends not with her outsmarting Jammu (or even trying), but by burning herself in the main character’s house. The daughter shows up, sees the wreckage from the crowd and then shrugs and walks away.

Yeah, me too, girl. Me too.

What else? Jammu believes Barbara (the wife) is some kind of nemesis; at no point is that ever actually established. Barbara’s pretty well pointless and dies pointlessly, after a storyline that’s unnecessary and its only impact is to remove her from the marriage, so the main character can fuck Jammu.

The whole thing revolves around this election question that would merge the city and county; in the end, only 17% of the population cares enough to vote, and it’s a landslide for the status quo, meaning that no one gave a shit about the primary driving question of the entire book.

So, pray tell, Jonathan, WHY THE FUCK SHOULD ANYONE ELSE?

The whole thing is written like it was done in one go, with little to no thought about plot or motivation or character arcs, with storylines ultimately abandoned, because hey, we’re over five hundred pages now, might as well wrap this up, but since I don’t really care and can’t be bothered to weave together the threads I’ve laid out, I’ll just pretend to make some point about America, a bunch of pretty words that sound deep (but aren’t), to cover up for the fact that this is one shitty book, deeply unsatisfying and utterly pointless.

Maybe I can pay some reviewer to proclaim me a genius, or hope I’ve written like David Foster Wallace enough (minus any humour) to make all these pretentious fucks think I know what I’m doing and that I’m somehow saying something worthwhile (hint: I’m not).

Sorry to be so harsh, but man, I spent almost two weeks on this piece of garbage waiting for some kind of payoff, something to make it not a complete waste of time (because that is a huge pet peeve of mine), but nope, fuck me.

I rarely rate books a one; usually, I can find some redeeming quality. If I do, it’s usually more ideological than merit-based, although there are a few that have been just bad.

But I don’t think I’ve ever had one that pissed me off so much for being such an absolute waste of time, because it was just such a poorly written piece of shit.

If Goodreads would let me rate zero, I fucking would.

Target: 1500 words
Written: 311 words, novel: Father Lightning

Read: The Twenty-Seventh City, Jonathan Franzen
Comics: Gen 13: Grunge Saves The World 1, Gen 13 v2 40-41, Gen 13: Going West 1
Music: Faithless, Back To Mine

time for sleep

‘Tis the day before Friday the 13th, the second in a row, and these are good days for me.

I need to be rested up for that, and not only because I’m going to eviscerate The Twenty-Seventh City tomorrow (assuming I can bear to finish it, and it doesn’t somehow turn around and deliver some kind of workable ending).

Target: 1500 words
Written: 2619 words, novel: Father Lightning

Read: The Twenty-Seventh FUCKING City, Jonathan FUCKING Franzen
Comics: Gen 13 v2 37-39, Gen 13: Wired 1
Music: Faith, The Cure