Category: systems

how do i sell myself to you

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It’s a question I’ve wrestled with since the day I decided I wanted to be a writer.

I want to be authentic. Open. There should be nothing between you and my thoughts but the desire to keep other people’s secrets secret, because they’re not mine to expose.

Of course, we all present ourselves through a filter, either by intentional omission or unconscious deceit (or vice versa – intentional deceit and unconscious omission.)

I don’t like to do either, but at the same time, I don’t want to be a martyr anymore than I want to be a charlatan. I’d like to write for a living, but there are two non-negotiables:

First, what I write is what I want to write. I hate the idea of being tied to a particular genre, and I don’t want anyone else to dictate the content of my stories. No Hollywood motherfuckers who think they know better or need to “sex it up” (although I am heavily fixated on sex, so that seems like it might not be an issue), or publishers/editors who want a happier ending or something more “clever”.

Save me from clever art, as Palahniuk would say, while being weirdly over clever, yet somehow, managing to hold that instinctual, emotional raw nerve. (It is a brazen and wondrous talent, those who can do this, and I am in awe of it.)

Secondly, I don’t want to be someone I’m not. I’m not perfect; if anything, I’m terribly broken, complex and boring, typical and atypical simultaneously; unique, in the worst and most generic way.

I am a work in progress. I’m an ugly piece of granite, in the process of seeing what’s underneath.

It might be a toad.

It might be Psyche.

I don’t know, but I know what I’m trying for.

How on track I remain will determine whether I’ve the smooth and incredible detail of a Cellini or the clumsy stack of a inukchuk (although, given the spiritual connection to the land and to honouring what is, in nature and spirit, that is totally cool). Maybe shattered gravel would be a better metaphor.

Or a pile of crumbling mud.

Anyway, how to tell the world of what I’ve written, while not compromising my self into something I don’t want to be?

I want to be honest, in work and in life.

Anything else isn’t worth it, and bullshit.

Target: 700 words
Written: 98 words, novella: The Mungk

Read: The $100 Startup, Chris Guillebeau
Comics: Saga 49-52
Music: Outcesticide, Nirvana

nothing finer

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Than to be in a v… wait. No.

There’s nothing finer than a cup of coffee, a mix of David Bowie/Rise Against/Nine Inch Nails in your ears, as you finalize the edits on the fourth draft of your novella.

Thirteen scenes I hope to combine to six.

I know you can’t sell a novella. I’m hoping to package it as The Mungk & Other Bullshit, which I realize will be a tough sell on bookstore shelves, but it’s also an eyecatcher. It was suggested to me to call the book The Little House In The Country, but that sounds fucking boring and generic.

The Mungk is a weird name. And people love swearing.

You see the word Mungk and ask, what the fuck is that (although you might be one of those people who don’t swear like longshoremen, so you might say, “what a strange looking word, perhaps I should inquire as to its meaning” and then drink some tea with your pinky out and adjust your monocle, you fucking weirdo), and then pick it up.

Pick it up and maybe buy it. And then maybe that money goes through the various systems of skimming off the top from the store, the distributor, the publisher, agents, managers and probably some grifting professional organization that claims to advocate for authors, but actually keeps them poor and begging, like the RIAA and MPAA do to movies and music, and then finally, that pittance will arrive in my bank account, where it’s probably already been paid out in an advance and I’ll actually get nothing extra for it at all.

But if enough of you do it…

Well, shit.

Break out the fucking tea.

Target: 700 words
Written: 302 words, novella: The Mungk

Read: Abraham Lincoln, Vampire Hunter
Comics: Saga 21-24
Music: Out In L.A., Red Hot Chili Peppers

possible

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So, I guess it’s possible to get published after all. Not that I had any doubts of my sister-in-law’s ability to do so, we’ve definitely gone about it in different ways. She’s networked her way to support for her book, and that’s the smart way to do it.

I’ve apparently opted for the struggling artist in silence, waiting for discovery somehow from the confines of my attic.

These two things are not particularly compatible. It is unlikely that I will ever be discovered, sending out screeds from my basement; it is a matter of personal disgust to whore myself out.

I know it’s about making a genuine connection with people, with those that may be into the things you’re creating. I know that.

Humanity hasn’t exactly been showing its best side lately and I wouldn’t even know where to look to find a tribe or like-minded folks without running into the kind of awful people I seek endlessly to avoid. I can’t do anymore myopic right-wingers or self-important snoots. I want genuine; I don’t want people who look down their nose at others, or those who want to drag everyone into the muck.

I can’t do it.

The time and energy commitment, when I have so little of either, is a real bummer; how could I possibly have less and survive?

I don’t know.

I am my own worst enemy.

I am my only protector.

Shit.

Target: 500 words
Written: 194 words, novella: The Mungk

Read: Pride And Prejudice And Zombies, Seth Grahame-Smith
Comics: East Of West 36-39
Music: Vans Presents: The General Strike EP, Anti-Flag, Popcorn, Muse, The Vegas Years, Everclear

flower is a flower

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A flower is nothing but stem, leaves, roots and seed. But the variations are endless and can range from medicinal to delicious to fatal.

When we talk about a flower, we all know what mean. It’s simple.

But when we think of the multitude of different types, their functions and forms, how they interact with the ecosystem around them, from feeding bees to eating flies, their symbiosis with the soil, air and water in the world around them… it’s grandiose in its complexity.

Simple to complex. These are the things that make me happy.

Target: 100 words
Written: 844 words, short story: The Ineffable Hat

Read: Ice Cream & Sadness by Cyanide & Happiness
Comics: Pretty Deadly 1-4
Music: XO by Elliott Smith

simple/complex

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I’m a bit obsessed with systems, I’ll confess.

There’s a profound beauty in a well-designed system. The base is always a simple concept; in the variations and expansions, there comes complexity.

But it all boils down to a simple flow.

Systems based on complexity break easily. It’s like building a building without understanding the concepts of squares and triangles, circles and arches. Like saying the best way to describe a circle is to start with a Moebius strip.

I think that’s why I have such a difficult time getting into things that bow too hard to pretense and cleverness; people doing weird to seem smarter or cooler or whatever; it’s all such a show and a pathetic one at that. Like complex for complexity’s sake, it’s a thin premise that collapses easily.

Target: 100 words
Written: 211 words, short story: The Ineffable Hat

Read: Hot Sex by Jamye Waxman, Emily Morse (nice visuals, appreciated the inclusivity, but yeah - still read like a bad Cosmopolitan article, as though they'd Googled the answers, instead of living them).
Comic: Wytches 5-6, Wytches: Bad Egg (such a terrific series with very personal themes on parenting; I wish the makers had more time for it).
Linkin Park - Xero (early LP, pre-Chester.  Very similar to later LP, post-Chester).