Category: sex

of icons and disappointment

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I think I liked life better when my idols weren’t being constantly accused or exposed as total creeps.

You expect it from Republicans, but man, I wish so many of the people who I grew up thinking as good people, people to pattern oneself afterward, turn out to be assholes.

Or not.

So much of it is speculation and hearsay, so much of it divorced from reality and put upon with one’s own prejudices, that a person has no choice but to take it with a grain of salt.

It’s one thing when accuser after accuser comes out of the woodwork, because this shit tends to be serial among the rich and famous, but when it’s isolated, without evidence or corroboration… do we still believe every story?

I’m all for believing survivors, but to assume that every accusation is the god’s honest truth is downright naive, and actually malicious when put into practice. Weaponized outrage.

Some of the stuff coming out of all this has been truly horrific; some of it much more complicated than its rage conductors would have us believe. Blind belief never serves anyone. Wouldn’t it be more beneficial to be certain, as certain as one can be, and thereby discourage those who would wield outrage for personal gain, revenge or whatever against trotting out lies and thereby destroying someone’s life and career?

Anyway, thoughts on the day; I still side with women, in most cases, with the caveat that blind acceptance is always a bad idea. Myopia is never a good look. We owe it to ourselves and the presumption of innocence to at least wait for the facts before we condemn.

Target: 800 words
Written: 402 words, novella: The Mungk

Read: The Regiment, Farley Mowat
Comics: Postal 24-25, Postal: Mark 1, Postal: Laura 1
Music: Underclass Hero + Sampler, Sum 41

ribfest

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Every year, I think there’s a story in the subculture of Ribfest.

Every damn year.

There’s a raunchy comedy in there somewhere, and at some point, I’m going to write it.

Hell, maybe I’ll make a comic out of it. That could work, although it screams crude sex comedy with lots of butts and boobs and random dicks.

Maybe the return of the batwing, a la Waiting.

I don’t know. There could be a book in it, but hell, it’s hard to make a book that funny. I do have ideas for another book that’s funny. Several, actually, but they have heart.

Can I add heart to Ribfest?

Is there a book in this? Who would be the villain?

Vegans?

Yes. Vegans.

Target: 700 words
Written: 944 words, novella: The Mungk

Read: Living Dead In Dallas, Charlaine Harris
Comics: Think Tank 12, Think Tank: Fun With PTSD 1, Wildfire 1-2
Music: The Ultimate Best Of Queen, uh, Queen (so hit or miss - the best Queen song is Under Pressure, by David Bowie.  That said, the good is really good, the bad is... well... Bicycle.  Prog rock shite).

pop

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I usually hold pop music in disdain, but especially this morning. What makes modern pop different than shitty 80s pop?

Slight better production? More revealing clothes?

Is there anything more tedious than some rapper bragging about how great a rapper he is? Would you even watch a ball player or a concert pianist if all they did was brag about how many homers they hit or how well they tickled the ivories? Or would it get old super fast, and no matter the quality of the production, get lost in the pathetic and annoying ego of its progenitor?

I don’t actually anything against love songs or sexy little ditties, but man, do it fucking right. Add some depth and emotion to it.

At least we seem to be moving past the phase where some producer takes a pithy inspirational phrase and creates a song around it, where there’s nothing but the same goddamn phrase repeated endlessly.

If your song has more writers than the road crew contains members, you’re not a fucking artist; you’re a commodity.

And for shit’s sake, The Weeknd, try not to sound like you’re completely bored with your own music.

Of course, it is boring garbage, and it bores me when it comes on, so why wouldn’t the man who played it a million times not be?

Target: 700 words
Written: 127 words, novella: The Mungk

Read: Gregor And The Prophecy Of Bane, Suzanne Collins
Comics: Saga 65-66 (depending on how it ends, this may be the best comic series ever written)
Music: 18 Singles, U2

how do i sell myself to you

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It’s a question I’ve wrestled with since the day I decided I wanted to be a writer.

I want to be authentic. Open. There should be nothing between you and my thoughts but the desire to keep other people’s secrets secret, because they’re not mine to expose.

Of course, we all present ourselves through a filter, either by intentional omission or unconscious deceit (or vice versa – intentional deceit and unconscious omission.)

I don’t like to do either, but at the same time, I don’t want to be a martyr anymore than I want to be a charlatan. I’d like to write for a living, but there are two non-negotiables:

First, what I write is what I want to write. I hate the idea of being tied to a particular genre, and I don’t want anyone else to dictate the content of my stories. No Hollywood motherfuckers who think they know better or need to “sex it up” (although I am heavily fixated on sex, so that seems like it might not be an issue), or publishers/editors who want a happier ending or something more “clever”.

Save me from clever art, as Palahniuk would say, while being weirdly over clever, yet somehow, managing to hold that instinctual, emotional raw nerve. (It is a brazen and wondrous talent, those who can do this, and I am in awe of it.)

Secondly, I don’t want to be someone I’m not. I’m not perfect; if anything, I’m terribly broken, complex and boring, typical and atypical simultaneously; unique, in the worst and most generic way.

I am a work in progress. I’m an ugly piece of granite, in the process of seeing what’s underneath.

It might be a toad.

It might be Psyche.

I don’t know, but I know what I’m trying for.

How on track I remain will determine whether I’ve the smooth and incredible detail of a Cellini or the clumsy stack of a inukchuk (although, given the spiritual connection to the land and to honouring what is, in nature and spirit, that is totally cool). Maybe shattered gravel would be a better metaphor.

Or a pile of crumbling mud.

Anyway, how to tell the world of what I’ve written, while not compromising my self into something I don’t want to be?

I want to be honest, in work and in life.

Anything else isn’t worth it, and bullshit.

Target: 700 words
Written: 98 words, novella: The Mungk

Read: The $100 Startup, Chris Guillebeau
Comics: Saga 49-52
Music: Outcesticide, Nirvana

lost in space

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My wife was a big fan of the original series; I was more of a Star Trek/Doctor Who guy growing up. My dad always looked down on Lost In Space. If we watched something from that era, it was Captain Kirk or Adam West.

That said, I adore the new one from Netflix and wish it went on much longer. Molly Parker and Parker Posey are two of my favourite actresses and they are terrific in this. I also have a visceral attraction to Molly Parker; I don’t know what it is, but man, she just does it for me.

Anyways, the point is that I recently started watching the original series, as a nod to my wife (sorry about the Molly Parker thing, honey), and I have to admit, I’m in. They do a good job of creating tension and doing that writerly thing of “keep them in danger”, even if it’s outlandish in the actual science part (as, admittedly, was Star Trek).

And Jonathan Harris, what can I say? Every time he shows up on screen, all I can think is “this motherfucker“, so I guess he’s doing what he’s supposed to do, in creating a perpetually evil villain. I suspect there’s a redemption arc for him, but I’m not that far into the series. Certainly, there was for Parker Posey’s Smith, who was also terrific, as she always is.

Anyway, out, bitches (and please picture that said in Parker Posey’s Dazed and Confused character), maybe followed by a stumbling “fuck all of you”, with some middle fingers and shit.

Target: 700 words
Written: 84 words, novella: The Mungk

Read: The $100 Startup, Chris Guillebeau
Comics: Saga 45-48
Music: Out Of Time, R.E.M. (Jesus, I forgot what an incredible album this was - one of the greatest all time.  I used to play it on repeat when it first came out, back when I was first losing my religion, literally.)

flatiron to times square

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We did that walk. Down Broadway. In ninety degree heat.

On the plus side, I got a good deal on good shirts and shorts from an Aeropostale outlet.

Also, of fashion in New York. I’m not sure who convinced women that the new trend should skin-tight and throw away those bras, but hell, good job, Illuminati or Obama or whoever we have to thank for that.

I know, I know.

Dirty old man, it’s horrible. I’m horrible.

I should be spayed and neutered already, and I would be, if it wasn’t for this damn sex drive. I’ll get you next time, meddling sex drive.

I think it’s official; I’ve got heat delusion. Goodbye, Central Park Zoo. I love your red panda and your penguins, but you should really let them all go home.

Target: 700 words
Written: 456 words, novella: The Mungk

Read: Assholes Finish First, Tucker Max (this shit is colouring my views, thank heaven it's done)
Comics: Saga 1-4 (HOLY SHIT)
Music: I Don't Give A Fuck About You, Pearl Jam

of long walks

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I’ve walked probably about fifty New York City blocks of varying lengths and my dogs are barking.

Still. I appreciate what the city has to offer and all, but damn.

I am peopled the fuck out.

There are too many people on this planet. I’m not calling for a plague or anything, but like, people, stop breeding.

Republicans claim to be pro-life, but man, abortion is one of the many ways we can help this planet by not contributing to overpopulation, unhappiness, children and parents in poverty or abuse, because they weren’t ready and didn’t want kids… you’re contributing to fucking misery and death, the death of us all, with your anti-environmental, anti-woman, anti-life stances.

Like fucking vegans, you’ve taken a high-minded principle (don’t abort fetuses or eat animals), and missed the actual real world impact of such a stance, both from a moral, and historical standpoint.

The most “noble” of intentions based on completely flawed premises (of course, I’d also argue that vegans may actually have noble intentions, but Republicans, given their pro-gun, pro-capital punishment and pro-who-gives-a-fuck-what-happens-to-the-kid-after-they’re-born stance, are entirely disin-fucking-genuous).

Anyway, people. Keep fucking, but stop breeding, for Pete’s sake, whoever Pete is.

Target: 700 words
Written: 962 words, novella: The Mungk

Read: Assholes Finish First, Tucker Max
Comics: Danger Girl: Renegade 3-4
Music: Other Pirate Material, The Streets

last man

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Okay, so it’s not the first time I’ve read Y The Last Man, and it may not be the last.

It was made to be on TV, which is what makes the fact that the first time it’s adapted, it gets cancelled after one season, so damn sad.

I haven’t had the heart to sit down and watch it, but I gather they strayed from the subject matter heavily enough to make their built-in audience tune out. I heard rumblings that the show seemed overly concerned in not offending the trans community and making them a much larger part of the universe (which is fair, in a sense, because transitioning doesn’t remove the Y chromosome, so it would makes sense that trans men would play a large role as the only remaining males).

Indeed, if there’s a fault in the original, it’s that it doesn’t really explore that particular narrative very heavily, and that’s likely a product of the times, as gender reassignment surgery has mainstreamed much more heavily in the decades since its publication.

But still. Forward thinking – in our current era, with as many people transitioning as there are, it would make sense for it to be a much larger part of the world. All the men who’ve transitioned to women would be dead, given the plague’s targeting of a Y chromosome, but the other way around? Being a trans man would make one highly sought after, I would think.

I think the issue is that delving so far into that drew away from the main thrust of the book, which is Yorick and his merry band’s travels around the world. It’s like spending the Matrix movies focused on Dozer’s relationship with his brother Tank, instead of Neo, Morpheus and Trinity. It’s a nice sideline, and it can impact the main storyline, but it’s bumper on the table, not the ball we need to keep from guttering.

Target: 600 words
Written: 530 words, novella: The Mungk

Read: The Sword Of Shannara, Terry Brooks
Comics: Y The Last Man 57-60 (that moment with Ampersand at the end... literal tears down my face, every time)
Music: Volcano, Jimmy Buffett

i guess i shouldn’t write at night

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Maybe late at night if it’s been a not-so-bad day, and I’m all keyed up and need a release.

But writing after a long day of a hard mental slog? It doesn’t leave much to be desired.

I had a thought about writing of wanting to be bigger than you are (on the inside! And not in the squishy, gooey, fatty way), but that’s too big for me now.

I am small.

My words are small. My works are small.

I am a haiku; flash fiction.

A one-shot comic.

A short story.

A novella, bordering on novelette.

What’s a novelette you say?

A book that wears heels and kicks up its legs in a line with its fellow works, all tits and fishnet, grinning to hide the awful realities behind it.

Target: 500 words
Written: 307 words, novella: The Mungk

Read: Welcome To Night Vale, Night Valia (I did like it, but the near constant podcast references slowed it waaaaaaaaaaaay down, making me wish time was as weird as they say it is, and thereby I could skim through it a bit faster.  It got to be a bit of a slog.)
Comics: East Of West 5-8 (way, way into this)
Music: Kiss Me, Kiss Me, Kiss Me, The Cure (I'd kiss you)

yesterday

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Sorry about that. I guess maybe we’re not in a place where green apple splatters and sexual proclivities are ready to be discussed.

But…

This is the thing about this blog. I never started it intending to pretend to be someone else. I spent too many years full of shit and now, I am doing my best to transition into being someone who is honest, open and compassionate, who always makes the effort to see as many perspectives as he can, while not ignoring the simple realities of things.

A softy without blinders.

A man of honest assessment, without pretense or bullshit.

Because I don’t want to be an icon. I don’t want to be a role model, though I know, if I can live the way I would like, it would inevitably set an example. Of course, every way anyone behaves sets an example; whether it’s a good one or whether anyone follows it are separate questions.

I want to be honest, and that means warts. That means too much information. That means nothing is out of bounds, save the desires of those around me not to be discussed (filtered where appropriate). I respect the privacy of others. I am a private man myself, despite my admissions.

I don’t want people all up in my business, but neither do I want to hide my foibles.

I suppose I shouldn’t hide my successes either, but damned if I won’t try to downplay them; I don’t live for praise. I would just like people to be able to see my work.

I’m not a good networker.

These things are all true.

These things are all filtered, as is everything.

Cognitive filtration is automatic.

Target: 400 words
Written: 341 words, novella: The Mungk

Read: Welcome To Night Vale, Cranor/Fink (Fink/Cranor?)
Comics: Tokyo Ghost 9-10 (seriously - maybe the best comic of all time.  It deserves to be in the conversation with Watchmen, Miller's Dark Knight, etc.)
Music: The King Of Limbs, Radiohead