disappointments

You know how when your favourite artists love something, you kind of assume that because you’re into their work, you’d also be into the stuff that inspired them?

Like if Foo Fighters said they were into the Clash and the Ramones, I’d be like, I feel that, man.

That doesn’t always work. For example, I understand why Kurt Cobain would be into the Vaselines or David Bowie, but I will never understand the Meat Puppets.

The same, apparently, is true of Steve Aylett. I found him because multiple authors I was into said he was so good and groundbreaking and awesome.

Yeah.

I don’t get it.

The Crime Studio is an entire book, essentially written in the style of Luis telling his heist story in Ant-Man. And while that can be a funny bit over the course of a minute or three in a two hour movie, it’s annoying as fuck over a hundred and fifty pages (while simultaneously having the gall to slag Updike, Amis and Delillo – dude, you’re not better. This is college kid trying on an 80s movie punk persona and thinking he’s somehow managed the depth of James O’Barr, while really only succeeding in pretentious amateurishness posing as rebel pastiche. Who’s pretentious now, motherfucker? That’s right. Pastiche).

So, sorry, authors whose work I respect and adore. In this one, we don’t agree. Thumbs down.

Target: 1500 words
Written: 449 words, novel: Father Lightning

Read: The Crime Studio, Steven Aylett
Comics: Gen 13 v4 37-39, Team 7 v4 0
Music: Fight For Your Mind, Ben Harper

he is risen

Oh, wait. That’s just the pornography.

(Or the scene I just wrote in Father Lightning.)

Target: 1500 words
Written: 1596 words, novel: Father Lightning

Read: The Legend Of Bagger Vance, Steven Pressfield
Comics: Gen 13 v4 25-28
Music: Fight Club Original Soundtrack, Various (best band ever, this Various.  Such range.)

strokin’?

I’m re-reading the scene I wrote yesterday and I have questions about my mindset.

For example, I used the word dude instead of dug, and referred to someone getting on their hands and knees as being on “all floor”.

I might be glitching out.

Target: 1500 words
Written: 584 words, novel: Father Lightning

Read: The Legend Of Bagger Vance, Steven Pressfield
Comics: Gen 13 v4 21-24
Music: Fever To Tell, Yeah Yeah Yeahs

good friday

You know what? It was a good Friday.

Time off, time to write, time to read and play video games?

I’ll fuckin’ take it.

Target: 1500 words
Written: 1428 words, novel: Father Lightning

Read: Harry Potter And The Philosopher's Stone , J.K. (don't call me Joanne) Rowling
Comics: Gen 13 v4 13-16
Music: Ferment, Catherine Wheel

productive end of march

I mean, look at that word count. I haven’t hit three thousand words in a day in a long, long time.

I’m proud of me.

At least today.

Target: 1500 words
Written: 3043 words, novel: Father Lightning

Read: The Kandy-Kolored Tangerine-Flake Streamline Baby, Tom Wolfe (like Hunter S. Thompson, Thompson were into status and name dropping and not drugs and rebellion.  Got a bit repetitive in his descriptions - how many times can you refer to bouffant hair, or his weird obsession with women's butts, or tits pointed straight up like a torpedo in launch?)
Comics: Gen 13 v4 2-5
Music: Feelin' Kinda Patton, Patton Oswalt

i probably shouldn’t be this angry

Ironically, this whole Father Lightning is supposed to be teaching me about kindness.

I don’t think it’s working.

Target: 1500 words
Written: 1975 words, novel: Father Lightning

Read: Code And Other Laws Of Cyberspace, Lawrence Lessig
Comics: Gen 13: Science Friction 1, Gen 13 v2 63-64, GenActive 5
Music: Fat Music, Vol. 5: Live Fat Die Young, Anti-Flag

building a path

I mean, I’m a bit off today because yesterday was St. Patrick’s and I have to get right in there and get back to work, but I’m starting to think of possibilities that might help me move forward.

I’m thinking of possibilities that might break me free of this dreary life.

This bland and weary work.

This modern malaise.

I am planning.

Picking a way forward.

Target: 1500 words
Written: 2163 words, novel: Father Lightning

Read: Code And Other Laws Of Cyberspace, Lawrence Lessig
Comics: Superman/Gen 13 2-3, Gen 13 v2 54, GenActive 2
Music: Family Tree, Bjork

it just occurred to me

Is Jonathan Franzen going to someday read this, and call every publisher out there to blackball me?

I’m sorry, Mr. Franzen.

I take it back. It was wonderful and not at all poorly structured and written with underdeveloped characters, meaningless storylines and a deeply unsatisfying ending that inspired apathy instead of thought or emotion.

Of course, this is what apathy looks like. He might even call it a win for provoking a reaction, but I’ll tell you – this is the same reaction I had after my old roommate dragged me to both Star Wars: The Phantom Menace and the first Fast & Furious movie.

I was livid with him.

We have such short lives – why waste it on bad art?

Target: 1500 words
Written: 1549 words, novel: Father Lightning

Read: The Bluest Eye, Toni Morrison
Comics: Gen 13 v2 48-51
Music: Family Man, Black Flag

sorry again

Like, I don’t know you, Jonathan Franzen, so you could be a really nice guy. You could also be a complete dick.

I don’t mean to shit on your work. Maybe I missed something. Maybe it somehow flew over my head.

The thing is, I have a really good bullshit detector. When someone’s full of it, I pick up on it pretty damn fast. I called Donald’s rise to fascism the day he rode down that fucking escalator.

So when I see pretentious bullshit being lauded as genius, I get a little pissed.

It’s not that you can’t be a little pretentious. Look at Chuck Palahniuk or Radiohead. The difference there is that they’ve infused depth and meaning and real heart and guts into their work. It’s not just an intellectual exercise to give the appearance of infinite genius, like modern art or Moulin Rouge.

There’s a reason I’ll take the Vandals over Rush any day. And I’m Canadian.

(Rush is bullshit – there’s like two good songs, the rest is show-offy prog rock borefests. Sorry, other Canadians. You’ve got shit taste. Fuckin’ Nickelback, for Pete’s sake).

Anyway, maybe I missed the heart and guts and fun and investment and meaning of this book. Maybe you had a real vision you were passionate about.

Unfortunately, it still comes across like a rough idea that you tried to flesh out in the middle of writing it, but couldn’t keep track and then realized a lot of shit didn’t matter, characters didn’t behave how you needed them to behave and rather than going back and editing to make it all work, you just got bored of it and said fuck it. You even put your lack of care and abandonment of the idea in the book.

You were the voting public, who barely turned up and didn’t give a shit.

So why should we?

Did I just crack the riddle of what people saw in it?

Five hundred pages of poorly written setup, just to give up?

This reminds me of the time I watched No Country For Old Men and it was all build up, and then just ended, abruptly, pointlessly, in a monstrous letdown.

And the Coen brothers I like.

Target: 1500 words
Written: 436 words, novel: Father Lightning

Read: The Bluest Eye, Toni Morrison
Comics: Gen 13 v2 45-47, Gen 13: A Christmas Caper 1
Music: The Fallout, Default

the twenty-seventh fucking city

That’s right, I kept the G, so you know I’m fuckin’ serious.

I know, for whatever reason, Jonathan Franzen is consider a literary icon. I assumed for good reason. Like when I discovered Look Homeward, Angel or found at least something worthwhile in The Broom Of The System.

This book, apparently, at least according to Wikipedia, was hailed as the birth of a new literary master.

I disagree.

While I was mildly intrigued by S. Jammu and what game she might be playing, at no point was her end game or motives ever really established and this nonsense that popped up a handful of times about the State never paid off, or amounted to anything.

I thought maybe it picked up when the people fell from the balcony at the baseball game, but nope, went right into the next three hundred pages of pointless municipal politics. At no point was it ever actually explained why the city of St. Louis and its surrounding county would be god or bad, only that there was some grifting going on.

There were a ridiculous number of storylines that went nowhere, had little bearing on the plot or the characters (most of whom had completely indistinguishable motivations) and ultimately ended up being utterly pointless. (See the main character’s daughter, most of his colleagues, the guy trying to expose Jammu and his childhood friend).

Characters behaved however the author felt they needed to behave. Here, S. Jammu is some political savant, a Moriarity slowly taking over the city of St. Louis. Then, she’s an insecure child. What was the thing about the two lovers, the kidnapper and the one her mother sent? None of that had a point.

And don’t even get me started on the hooker the main character’s brother-in-law had dressing up as the main character’s wife. She’s portrayed through ninety percent of the book as this underrated player, who has a plan to somehow screw over Jammu and the brother-in-law, even slipping Jammu’s agents and killing one in London, only to return and suddenly be entirely nuts, thinking she’s the main character’s wife like some kind of disassociated schizophrenic. Her storyline ends not with her outsmarting Jammu (or even trying), but by burning herself in the main character’s house. The daughter shows up, sees the wreckage from the crowd and then shrugs and walks away.

Yeah, me too, girl. Me too.

What else? Jammu believes Barbara (the wife) is some kind of nemesis; at no point is that ever actually established. Barbara’s pretty well pointless and dies pointlessly, after a storyline that’s unnecessary and its only impact is to remove her from the marriage, so the main character can fuck Jammu.

The whole thing revolves around this election question that would merge the city and county; in the end, only 17% of the population cares enough to vote, and it’s a landslide for the status quo, meaning that no one gave a shit about the primary driving question of the entire book.

So, pray tell, Jonathan, WHY THE FUCK SHOULD ANYONE ELSE?

The whole thing is written like it was done in one go, with little to no thought about plot or motivation or character arcs, with storylines ultimately abandoned, because hey, we’re over five hundred pages now, might as well wrap this up, but since I don’t really care and can’t be bothered to weave together the threads I’ve laid out, I’ll just pretend to make some point about America, a bunch of pretty words that sound deep (but aren’t), to cover up for the fact that this is one shitty book, deeply unsatisfying and utterly pointless.

Maybe I can pay some reviewer to proclaim me a genius, or hope I’ve written like David Foster Wallace enough (minus any humour) to make all these pretentious fucks think I know what I’m doing and that I’m somehow saying something worthwhile (hint: I’m not).

Sorry to be so harsh, but man, I spent almost two weeks on this piece of garbage waiting for some kind of payoff, something to make it not a complete waste of time (because that is a huge pet peeve of mine), but nope, fuck me.

I rarely rate books a one; usually, I can find some redeeming quality. If I do, it’s usually more ideological than merit-based, although there are a few that have been just bad.

But I don’t think I’ve ever had one that pissed me off so much for being such an absolute waste of time, because it was just such a poorly written piece of shit.

If Goodreads would let me rate zero, I fucking would.

Target: 1500 words
Written: 311 words, novel: Father Lightning

Read: The Twenty-Seventh City, Jonathan Franzen
Comics: Gen 13: Grunge Saves The World 1, Gen 13 v2 40-41, Gen 13: Going West 1
Music: Faithless, Back To Mine