starting to wonder

There’s been a recurring theme in my work, mostly because as a plot device, it’s evil, but it’s always the same. I know, I know. It happens the world over, but maybe I’m utilizing it too much.

Men and women have always been a complicated thing, but the reality is that it’s not actually that complicated.

It’s the same as anything, really. Be good to each other, and things will be fine.

Unfortunately, it’s far too easy (especially these days), to be shitty to one another.

And as has always been, no matter the race, creed or culture, women take the worst end of it. It doesn’t matter what you are, if you’re a woman, it’s worse for you.

And that’s bullshit.

I mean, I lucked out, technically; I’m a straight, white male. According to most of what I see these days, I should not be allowed to comment anything on these matters, but Yes, Ma’am. I agree.

While that might sound like complaining, it’s not. I do agree, for the most part. I don’t want to mansplain shit to anyone.

I do want to demonstrate that I understood the lesson.

I’m just starting to wonder about how things seem to go in my stories, if I’ve actually taken the lesson to heart.

It wasn’t part of The Mungk (except for maybe the hints of shrewishness in Diana), but it played a big role in Get Back Again, and in my recently written, but not yet published Western Cradle series, and here it is again, in Forest Edge.

Am I really learning?

Something to think about, going forward.

Target: 1000 words
Written: 343 words, short story: Forest Edge

Read: The Oracle Year, Charles Soule
Comics: Preacher 64-66
Music: I Palindrome I, They Might Be Giants

ridin’ off into the sunset

I think there’s a significant portion of us that would love to drive off down the highway in a fast convertible, beautiful woman beside us, no cares, flaunting social norms, cranking tunes, mooning and flashing the passersby, outrunning the cops, and then pulling over on an out of the way back road to fuck on the hood about every couple of hours.

It’s a young person’s game, of course, and if you’ve ever paid any attention to one of these stories, they’re always freeing, but they all end in tragedy.

Because there’s no such thing as freedom without responsibility, and while I think we should all feel free to flash our tits down Main St, or eat a pussy in the grass, carefree can also be careless.

Every high has its hangover.

At some point, reality comes crashing in, and we have a choice. Figure out how to live the adventure while taking care of business, or how to go out in a blaze of glory.

Viable choices, all.

Target: 1000 words
Written: 374 words, short story: Forest Edge

Read: Tropic Of Kansas, Christopher Brown
Comics: Preacher 60-63
Music: I Might Be Wrong: Live Recordings, Radiohead

regrets

I’m thinking a lot about what’s evil and what is not.

I’ve just written a four issue comic series, a western based on revenge, which begins typically enough for the kind of spaghetti western I’m basing it on, but takes a wild turn at the end of the first issue (unrevealed future plot twist).

I’m a little worried it pushes me into territory I’m not comfortable representing.

That is, like Get Back Again, I’m concerned some right wing fuck is going to take it and construe it as pro-bigotry or worse, in this case, pro-life.

But that’s not what it’s about (and I’m very pro-choice); it’s similar to The Mungk in that it’s about trauma, and how it can shape us for the worse, until the evil that’s been done to us becomes us abusing ourselves, and maybe others, in ways we never would otherwise.

It’s also about whether evil can be used for good, sometimes?

It’s about guilt and remorse and self-hatred.

Because listen, I know more than a few women who’ve been through it, and despite what the right wing would have you think, most of them did not behave as though they were tossing a used Kleenex.

Most of them were genuinely distressed, upset, even traumatized by it. Not one of them didn’t have strong feelings about it, even if they didn’t want to say it out loud. It was clearly visible on their face and in their eyes.

The other thing that I know about it is that not one of them has ever said they would make a different choice. They don’t regret the choice, even if there’s still remorse.

Like putting down a terminally ill pet; it sucks, you hate it, it makes you weep for days, but even years later, if asked, you’ll say it was the right thing to do.

Anyway, thoughts and feelings on this day; I can’t imagine what the poor women go through.

Even if this case, it’s a little more… extreme.

Target: 1000 words
Written: 720 words, comic: Western Cradle #4

Read: Tropic Of Kansas, Christopher Brown
Comics: Preacher 57-59, Preacher: Tall In The Saddle 1
Music: I Know What You Did Last Summer Soundtrack, Various

every inch

Some days, it feels like a war of attrition (and we’re not talking about the cold now).

It’s just a fight, a relentless fight, one moment after the next, bloodied, beaten, without rest, without help, without anything to get us through but pure fucking grit and the sense that goddamnit, we’re gonna get there if we die trying.

This notion that life should be a dream, a dance through the tulips, it’s poison. It’s ephemeral opiate, a smoky high that keeps us from seeing what’s going on.

But the fight keeps us focused, no matter how many cuts and bruises, how many broken bones, no matter that our hearts are in tatters and we know we’ve gone far, far from the ideal person we intended to be at the start.

All that matters is the result.

And ain’t that a hell of a way to live?

Target: 1000 words
Written: 484 words, comic: Western Cradle #3

Read: Me Talk Pretty One Day, David Sedaris
Comics: Preacher 37-40
Music: I Can't Be Satisfied, Paul Rodgers & Brian Setzer

the need for vengeance

I understand the impulse, from a fiction standpoint. Who doesn’t love a good revenge story?

John Wick isn’t what it is for nothing. (They killed his dog, so he spent four movies murdering everyone that’s ever been even tangentially related to the guy who did it. As a dog owner, I’ve never been more invested.)

The problem is that revenge seldom works out the way we want. The fantasy that plays in our head of getting that asshole boss in trouble with HR or having the perfect takedown of that bitchy girl in your friend group, more often than not, what happens is… nothing.

HR doesn’t care, because that asshole boss is so far up his asshole boss’ ass that HR finds him untouchable. That bitchy girl, she’s been insulting people so long, she rebuts with a brutal takedown of her own, and it has truth in it, and you’re cut to the quick. Your friends all titter, because they, too, are assholes.

Congratulations, you’ve just made your life worse.

All I’m saying is that as nice as the fantasy is, unless you’re some superheroic powered individual like John Wick, it probably won’t work out for you. Better to cut those influences without words, and move toward your happy, rather than your revenge.

Of course, some of us can’t, and that seething anger becomes all consuming, until we’re delusional about the whole damn thing.

Target: 1000 words
Written: 360 words, comic: Western Cradle #2

Read: The Autobiography Of Malcolm X, Malcolm X (and Alex Haley, I guess)
Comics: Preacher 9-12
Music: Now For Plan A, Tragically Hip (the title track is so good)

evil clarification

I should clarify yesterday’s post – I’m working on a western comic which deals with revenge, and the inciting event brings our heroine face to face with true evil, men who care nothing for the value of life or the freedom from violence to which people ought to have the right.

A key component is that afterward, our heroine thinks a lot on evil; indeed, she doesn’t (or rather, her husband doesn’t) believe in original sin. She wrestles with knowing these men were bred this way and not born, and moreso with the fact that they may have transmitted this evil into her with their vicious acts.

It’s a question of where evil is born. Is it bred? Created by circumstance? Or is the potential for it contained in all of us (certainly an indisputable fact even if it has no bearing on whether a person is actually evil – potential does not equal actual. Having all the ingredients to make a cake does not make a cake if nothing’s done with them).

What I’m looking at is real evil here, less so the more mundane evil of selfishness, myopia and callous disregard for the people and world around you that while. Not truly evil in the sense that it’s not committing violence, but evil in the sense that it creates the underpinnings for evil, for toxicity, for bad men to thrive like we see now in the right wing.

Again, the way a cake is not a cake until it’s made, we talk of the same with steel and bullets and wood for stocks.

A gun is not a gun until someone’s built and loaded it.

Then it becomes a vehicle for evil (even if it’s working in defense of justice and freedom).

A violent man will die a violent death, as it’s said in the Tao.

Or in this case, a woman?

Target: 1000 words
Written: 576 words, comic: Western Cradle #1

Read: The Art Of Asking, Amanda Palmer
Comics: Preacher 1-4
Music: Nothing Safe, Alice In Chains
Year Totals:

Target Words: 248 400 words
Written Words: 256 742 words in 1 novella, 4 short stories, 3 poems and 1 comic (plus part of 1 more)
Books Read: 91
Comics Read: 1429
Albums Listened To: 520
New Recipes Tried: 171
Places Travelled: 5 (Collingwood/Kingsville/Temagami/Florida/Bahamas)

original sin

I don’t believe in original sin. I think it’s fucking ridiculous.

Only a deluded soul could believe that anyone is born evil. Babies are babies; they just are.

Evil is not born. It’s bred.

It’s influenced and created, it has supervillain origins. Origins often tragic and relatable, but it doesn’t ultimately matter because the evil is so ingrained as to overwhelm any compassion one might hold.

It’s a henchman created by an overbearing boss, a desire to please, a fear of independent thought, or whatever.

It’s selfish, narcissistic, and considers no one’s needs but its own. It feeds and feeds and feeds, growing larger and larger, until someone cuts off the damn trough (or it empties its own and starts feasting on everyone else’s, which is when true evil begins).

It needs a slap in the face.

And sometimes, it’s so far gone, so committed to its story of itself as hero, itself as victim, itself as the only character in the story whose needs need to be fulfilled, that there’s no chance of turning back.

There’s only awful behaviour, and ultimately, exile or death.

If, in your story, you are the only one that matters, or you think your needs are more important than anyone else’s?

Fuck you. You’re the problem.

You weren’t born that way; circumstances pushed you a certain direction and you didn’t bother to course correct once you knew.

And ultimately, you started making the choice to be evil, all on your own.

So, fuck you, overentitled pieces of shit, bigoted assholes trying to pretend you love freedom and not just hating on others.

Fuck you, snooty pricks staring down your noses at people for not having the “right” views or the “right” look or having read the “right” books, when the extent of your engagement with justice is a fucking social media post to mask the fact that all you care about is status.

Fuck you, too, people who stand up and say, I’m decisive, I’m advocating for myself, I’m a strong person, but are, in actually, just assholes who treat everyone else like shit over the pettiest bullshit in order to prop up the fiction that they’re somehow worth more than everyone else (your insecurity is showing). Your obsessive need to prove yourself, your obsession with validation, it’s destructive – to you and everyone around you.

And it’s led, time and again, to the same choice – grow, change, be a better person, or close down, stop thinking and fuck everyone else.

Otherwise known as, you know, evil.

Target: 1000 words
Written: 3085 words, comic: Western Cradle #1

Read: The Art Of Asking, Amanda Palmer
Comics: Chu 9-10
Music: Not The Actual Events, Nine Inch Nails

sergio leone

I’ll be honest, I’m kind of obsessed; his ability to create a mood simply by creating a static shot with a small bit of movement is unreal. The cinematography in his movies was never without purpose.

He once said “the myth is everything” and when it comes to creating a piece of art, I think he’s touched on something that transcends the idea of merely being creative or tapping emotions or cool concepts.

It’s EVERYTHING.

(Hell, it’s technically the entire reason for the MAGA movement, given that they’ve created a whole alternate reality where everything that promotes compassion, freedom or you know, intelligence is considered evil, a web of conspiracy thinking that has no actual basis in reality – except often as applied to the Trump grifters running the joint. See Gaetz, Matt. Where’s a man with no name when you need him?)

Anyway, huge fan of Leone, and at this point, praying he doesn’t turn out to be problematic, like every other artist I’ve idolized over the years and who continue to prove my point:

There is no correlation between skill and the relative morality of its wielder.

Target: 100 words
Written: 405 words, comic: Western Cradle #1

Read: The Vegetarian Myth, Lierre Keith
Comics: Chew 49-52
Music: No1 Record, Big Star

i get it; i’m late

For all the things I wanted to do with my life, I probably would have had to have started as a teenager.

Unfortunately, the lessons I needed to learn, the skills I had to grow (and am still growing), the mindset, the life experience, all that stuff… it unfolded a little slower than it probably should have.

Maybe I could have gone a more traditional route, and maybe I could have been content with that, but when have I ever been content with anything? In the moment, I can be, in the midst of a good meal or a great book or great sex, a nice moment in the sun while walking the dogs.

But isn’t that the only time ever?

I know it will take me probably until I’m a hundred and no longer able to function physically or mentally to do the work that I want to do, to see the places I wanted to see, to have all the experiences I’ve desired.

I probably won’t make it, barring terrific medical advances. Of course, I could live that long but the growing spectre of fascism, the threat of climate change, bigotry and hatred, the complete breakdown of both civility and the willingness to stand up for what is right, in action more than words, is likely to end this planet (or at least my life or the ability to do the things I desire to do), all that pretty well guarantees that this is a fool’s errand.

But what’s the alternative?

Giving up?

I know I’m a late bloomer, but hell. Fuck it.

There’s no do-overs, so it’s now or never, and if I die in the attempt, without making the impact I would have liked, well, there’s no shame in trying.

Only in giving up.

Target: 1000 words
Written: 1479 words, short story: Late Riser

Read: The Alchemist, Paulo Coelho (also, this has nothing to do with this book, it was garbage, like Eckhart Tolle fucked Hans Christian Andersen and their baby read The Secret on the way out - stuff like this is why people get stuck in their own heads thinking they just have think things into existence, or that all skill is just natural, instead doing the fucking work.)
Comics: Chew 42-44, Chew: Warrior Chicken Poyo (POYO!) 1
Music: No!, They Might Be Giants

broke down car

It’s not right, I tell you.

Somewhere along the road, something got broke and it can’t be fixed. The engine keeps failing and no one can figure out why. But instead of replacing the car or the damn engine, we’re stuck with the thing – failing, over and over. Sometimes in the driveway. Sometimes on the freeway. Sometimes on the curve of an icy road.

And no matter the frustration, no matter how often we try to fix the damn thing, it doesn’t get any better.

It gets worse and worse and we know – one day, nothing’s going to start that car again. We’re going to be stuck, wherever we are, in a parking lot or a snowbank or piled up in the wreckage with a dozen other cars enduring the same nightmare, and that’s where we’ll be.

Forever.

Freezing or bleeding or quietly starving to death. We can’t get out and walk. We’re locked in. The car won’t start. We already ate the only granola bar in the glove box and ripped our shirt to tie around the hole in our belly, but we’re still bleeding. Still dying. Still stuck, in motion or standing still, inside this goddamned car, on this goddamned road, that we never wanted to be on in the first place!

We don’t know how we got here. All we remember is getting behind the wheel and the car started moving on its own. It keeps going and going, and every once in a while, there’s a nice place to stop for a cup of tea, or some beautiful body in a car that smiles as we pass, and maybe, if we’re really lucky, a good song on the radio. Something beyond the nightmare newsline or the static rhythm of whatever tired old pablum some generic pop star is regurgitating to the front lines.

Eventually, this car will die, and we won’t know where that is. Will it be in the high country, in Pirsig’s mountains? Or in the desert, those vast plains of dry and dusted skeletons? Maybe in a city, in the run-down parts, where people oppressed by others who know no oppression scrabble for food and shelter and feed themselves on compromise, over and over again, the way we do, when we’re running out of hope. When we’re living hand to mouth and all of a sudden, the goddamn car takes a shit. Again.

This car takes a lot of shits. We take a lot of shit.

Sometimes, all we can do is sit there and cry, glaring at the dashboard with desperation as it flashes its warning lights, pounding on the steering wheel and screaming bloody rage at the insensibility of it all. All the while, the wheel takes us nowhere we didn’t choose to go, in fits and starts, sometimes slow, sometimes beyond any sensible limits.

We could have gone anywhere, if we’d just ignored the directions we were given. Instead, we followed turn after turn, signpost after signpost, going where the arrow pointed, and now we’re here, with everyone else, wondering what the hell went wrong. Wondering why that turn into the green valley looked so pleasing, and why we drove on anyway into the smog and the soot. Why the thing sputters and chokes and makes noises we can’t identify, over miles and miles of busted asphalt and crushed gravel. We wonder why we learn to live with the little imperfections. The tear in the seat where the spring sticks through. The radio that only tunes one channel, poorly. The rearview mirror held up with baling wire and a trunk that won’t quite close. That goddamn muffler.

Yes, someday, this car’s going to die, and nothing will revive it. Someday, this car will cruise or crash to a stop, to its final resting place, its forever home. It’s going to decay and become no more, as will everything around it, up to and including the road itself. A pile of dust it will be, carried on the wind to the desert, mote by obsequious mote, until it’s so far lost, no one would ever know it existed.

That’s where we all go, in the end.

And no hunk of junk is going to stop us.

Target: 1000 words
Written: 152 words, short story: Broke Down Car

Read: Permanent Record, Edward Snowden
Comics: Chew 35-38
Music: No Way Back/Cold Day In The Sun, Foo Fighters