welp, botched the fuck out of that

Yeah, a pivotal scene and I wrote it like a ninth grader, or a cop show writer.

Grabbing someone by the lapels and screaming, “Where is he?”, like my main character is fucking Mel Gibson or Clint Eastwood, when he’s more like Buster in Arrested Development.

Jesus, I’ve let my family make me watch too many episodes of Tracker – my writing is now devolving as a result.

(For the record, Tracker is shit. The only time I was even remotely interested was the UFO episode, because I thought they might be pivoting and turning into something good, like the X-Files. Sadly, they’ve never mentioned it again.)

Target: 1500 words
Written: 2666 words, novel: Father Lightning

Read: Code And Other Laws Of Cyberspace, Lawrence Lessig (like, I see good points, but his pro-corporate copyright stance is distasteful, and his insistence on interjecting the government into everything is as well.  He claims to have made a point or taken a stance in there somewhere, but other than saying, hey, this is an issue (and it was, back then), I don't really see much of a stance on anything, other than we need more government or the magical mystery market will solve the problem, like some kind of divine hand.)
Comics: Gen 13 v2 65-67, GenActive 6
Music: The Fat Of The Land, The Prodigy

i probably shouldn’t be this angry

Ironically, this whole Father Lightning is supposed to be teaching me about kindness.

I don’t think it’s working.

Target: 1500 words
Written: 1975 words, novel: Father Lightning

Read: Code And Other Laws Of Cyberspace, Lawrence Lessig
Comics: Gen 13: Science Friction 1, Gen 13 v2 63-64, GenActive 5
Music: Fat Music, Vol. 5: Live Fat Die Young, Anti-Flag

building a path

I mean, I’m a bit off today because yesterday was St. Patrick’s and I have to get right in there and get back to work, but I’m starting to think of possibilities that might help me move forward.

I’m thinking of possibilities that might break me free of this dreary life.

This bland and weary work.

This modern malaise.

I am planning.

Picking a way forward.

Target: 1500 words
Written: 2163 words, novel: Father Lightning

Read: Code And Other Laws Of Cyberspace, Lawrence Lessig
Comics: Superman/Gen 13 2-3, Gen 13 v2 54, GenActive 2
Music: Family Tree, Bjork

it just occurred to me

Is Jonathan Franzen going to someday read this, and call every publisher out there to blackball me?

I’m sorry, Mr. Franzen.

I take it back. It was wonderful and not at all poorly structured and written with underdeveloped characters, meaningless storylines and a deeply unsatisfying ending that inspired apathy instead of thought or emotion.

Of course, this is what apathy looks like. He might even call it a win for provoking a reaction, but I’ll tell you – this is the same reaction I had after my old roommate dragged me to both Star Wars: The Phantom Menace and the first Fast & Furious movie.

I was livid with him.

We have such short lives – why waste it on bad art?

Target: 1500 words
Written: 1549 words, novel: Father Lightning

Read: The Bluest Eye, Toni Morrison
Comics: Gen 13 v2 48-51
Music: Family Man, Black Flag

sorry again

Like, I don’t know you, Jonathan Franzen, so you could be a really nice guy. You could also be a complete dick.

I don’t mean to shit on your work. Maybe I missed something. Maybe it somehow flew over my head.

The thing is, I have a really good bullshit detector. When someone’s full of it, I pick up on it pretty damn fast. I called Donald’s rise to fascism the day he rode down that fucking escalator.

So when I see pretentious bullshit being lauded as genius, I get a little pissed.

It’s not that you can’t be a little pretentious. Look at Chuck Palahniuk or Radiohead. The difference there is that they’ve infused depth and meaning and real heart and guts into their work. It’s not just an intellectual exercise to give the appearance of infinite genius, like modern art or Moulin Rouge.

There’s a reason I’ll take the Vandals over Rush any day. And I’m Canadian.

(Rush is bullshit – there’s like two good songs, the rest is show-offy prog rock borefests. Sorry, other Canadians. You’ve got shit taste. Fuckin’ Nickelback, for Pete’s sake).

Anyway, maybe I missed the heart and guts and fun and investment and meaning of this book. Maybe you had a real vision you were passionate about.

Unfortunately, it still comes across like a rough idea that you tried to flesh out in the middle of writing it, but couldn’t keep track and then realized a lot of shit didn’t matter, characters didn’t behave how you needed them to behave and rather than going back and editing to make it all work, you just got bored of it and said fuck it. You even put your lack of care and abandonment of the idea in the book.

You were the voting public, who barely turned up and didn’t give a shit.

So why should we?

Did I just crack the riddle of what people saw in it?

Five hundred pages of poorly written setup, just to give up?

This reminds me of the time I watched No Country For Old Men and it was all build up, and then just ended, abruptly, pointlessly, in a monstrous letdown.

And the Coen brothers I like.

Target: 1500 words
Written: 436 words, novel: Father Lightning

Read: The Bluest Eye, Toni Morrison
Comics: Gen 13 v2 45-47, Gen 13: A Christmas Caper 1
Music: The Fallout, Default

the twenty-seventh fucking city

That’s right, I kept the G, so you know I’m fuckin’ serious.

I know, for whatever reason, Jonathan Franzen is consider a literary icon. I assumed for good reason. Like when I discovered Look Homeward, Angel or found at least something worthwhile in The Broom Of The System.

This book, apparently, at least according to Wikipedia, was hailed as the birth of a new literary master.

I disagree.

While I was mildly intrigued by S. Jammu and what game she might be playing, at no point was her end game or motives ever really established and this nonsense that popped up a handful of times about the State never paid off, or amounted to anything.

I thought maybe it picked up when the people fell from the balcony at the baseball game, but nope, went right into the next three hundred pages of pointless municipal politics. At no point was it ever actually explained why the city of St. Louis and its surrounding county would be god or bad, only that there was some grifting going on.

There were a ridiculous number of storylines that went nowhere, had little bearing on the plot or the characters (most of whom had completely indistinguishable motivations) and ultimately ended up being utterly pointless. (See the main character’s daughter, most of his colleagues, the guy trying to expose Jammu and his childhood friend).

Characters behaved however the author felt they needed to behave. Here, S. Jammu is some political savant, a Moriarity slowly taking over the city of St. Louis. Then, she’s an insecure child. What was the thing about the two lovers, the kidnapper and the one her mother sent? None of that had a point.

And don’t even get me started on the hooker the main character’s brother-in-law had dressing up as the main character’s wife. She’s portrayed through ninety percent of the book as this underrated player, who has a plan to somehow screw over Jammu and the brother-in-law, even slipping Jammu’s agents and killing one in London, only to return and suddenly be entirely nuts, thinking she’s the main character’s wife like some kind of disassociated schizophrenic. Her storyline ends not with her outsmarting Jammu (or even trying), but by burning herself in the main character’s house. The daughter shows up, sees the wreckage from the crowd and then shrugs and walks away.

Yeah, me too, girl. Me too.

What else? Jammu believes Barbara (the wife) is some kind of nemesis; at no point is that ever actually established. Barbara’s pretty well pointless and dies pointlessly, after a storyline that’s unnecessary and its only impact is to remove her from the marriage, so the main character can fuck Jammu.

The whole thing revolves around this election question that would merge the city and county; in the end, only 17% of the population cares enough to vote, and it’s a landslide for the status quo, meaning that no one gave a shit about the primary driving question of the entire book.

So, pray tell, Jonathan, WHY THE FUCK SHOULD ANYONE ELSE?

The whole thing is written like it was done in one go, with little to no thought about plot or motivation or character arcs, with storylines ultimately abandoned, because hey, we’re over five hundred pages now, might as well wrap this up, but since I don’t really care and can’t be bothered to weave together the threads I’ve laid out, I’ll just pretend to make some point about America, a bunch of pretty words that sound deep (but aren’t), to cover up for the fact that this is one shitty book, deeply unsatisfying and utterly pointless.

Maybe I can pay some reviewer to proclaim me a genius, or hope I’ve written like David Foster Wallace enough (minus any humour) to make all these pretentious fucks think I know what I’m doing and that I’m somehow saying something worthwhile (hint: I’m not).

Sorry to be so harsh, but man, I spent almost two weeks on this piece of garbage waiting for some kind of payoff, something to make it not a complete waste of time (because that is a huge pet peeve of mine), but nope, fuck me.

I rarely rate books a one; usually, I can find some redeeming quality. If I do, it’s usually more ideological than merit-based, although there are a few that have been just bad.

But I don’t think I’ve ever had one that pissed me off so much for being such an absolute waste of time, because it was just such a poorly written piece of shit.

If Goodreads would let me rate zero, I fucking would.

Target: 1500 words
Written: 311 words, novel: Father Lightning

Read: The Twenty-Seventh City, Jonathan Franzen
Comics: Gen 13: Grunge Saves The World 1, Gen 13 v2 40-41, Gen 13: Going West 1
Music: Faithless, Back To Mine

cinco de marcho

I’m thinking about kindness today. It’s because I’m writing a book where it’s a large part of it, and while I need kindness to play a large role in my life and my person, I find I’m having difficulty tapping into it.

I think the past two-plus years of wallowing and anger have dulled my sense of compassion. I am an empathic being; I feel everything intensely. I am highly affected by other people’s moods.

But that makes me want to withdraw, not connect.

And what I need is connect.

Target: 1500 words
Written: 324 words, novel: Father Lightning

Read: The Twenty-Seventh City, Jonathan Franzen
Comics: Gen 13 v2 26, Gen 13 Bootleg 16, Gen 12 1, Gen 13 Bootleg Annual 1
Music: February 26, 1994, Milan, Nirvana (the last of the bootlegs, I swear.  I think.  For now, anyway.)

yesterday’s point

Yesterday’s post was identifying where I’d examined previously. I cover lots of little things in my smaller works, but the big themes of my life, I try to save for the canon.

The Mungk was trauma/fatalism.

The Conflagration Of Boor And Aghast is about tribalism and the pointlessness of dualism with substance, subtlety and consequence.

Father Lightning? It’s not going to be a tale of woe; or rather, it is, but there is, as there should be in all great novels of fear, a sense of humanity.

Of kindness.

Compassion.

I spent nearly a year wallowing over the hopelessness of it all with The Mungk. I spent over a year mired in the politics of mutual hate with Boor & Aghast.

It’s time for some higher focus.

It’s time to focus on a little kindness. A little compassion.

it’s time to make the world a little better place. Rather than navelgazing and moaning into the void, or raging against everyone who doesn’t agree with my side in mutually assured destruction, I’m going to learn how to be nice.

It may take more effort than I’ve got.

Target: 1500 words
Written: 2506 words, novel: Father Lightning

Read: A Vindication Of The Rights Of Woman, Mary Wollstonecraft
Comics: Gen 13 v2 22-23, Gen 13 Bootleg 11-12
Music: February 1, 1992, Melbourne, Nirvana

fatalism

I tried to leave fatalism behind with The Mungk. The point of that book was an exploration of trauma and hopelessness; the point of The Conflagration Of Boor & Aghast was to explore the nature of unwinnable conflict.

(As well as offer a reminder that placating and avoiding the application of consequences, or the inequal application of consequences, leads to inevitable decline, abuses and ultimately, horror. The application of consequences is critical to both freedom and the suppression of would-be authoritarians.)

It is increasingly difficult to ignore that the United States is at the forefront of these two themes, mashed together into a nightmare of impending Armageddon.

All of which could be stopped by removal of one man.

Vladimir Putin (or by proxy, Trump).

This is your daily reminder that the enemy is not trans people, people of other colours, nationalities or gender, but rather, the ultra fucking rich.

THERE IS ONLY ONE ENEMY.

Remove them from power and guess what?

All of this shit goes away.

Target: 1500 words
Written: 143 words, novel: Father Lightning

Read: A Vindication Of The Rights Of Woman, Mary Wollstonecraft
Comics: Gen 13/Generation X 1, Gen 13: The Unreal World 1, Gen 13 v2 21, Gen 13 Bootleg 10
Music: October 31, 1991, Seattle, Nirvana (one of the best bootlegs I own)

weird, i kinda thought i wrote something today

I thought I did it here. But here is a Friday night, and there’s too much going on to forget.

Or too much going on to remember.

Early onset Alzheimer’s is a bitch.

Target: 1500 words
Written: 1769 words, novel: Father Lightning

Read: A Vindication Of The Rights Of Woman, Mary Wollstonecraft
Comics: Gen 13 Bootleg 6-7, Gen 13 v2 19, Gen 13 Annual 1
Music: Connected, Stereo MCs