regrets

I’m thinking a lot about what’s evil and what is not.

I’ve just written a four issue comic series, a western based on revenge, which begins typically enough for the kind of spaghetti western I’m basing it on, but takes a wild turn at the end of the first issue (unrevealed future plot twist).

I’m a little worried it pushes me into territory I’m not comfortable representing.

That is, like Get Back Again, I’m concerned some right wing fuck is going to take it and construe it as pro-bigotry or worse, in this case, pro-life.

But that’s not what it’s about (and I’m very pro-choice); it’s similar to The Mungk in that it’s about trauma, and how it can shape us for the worse, until the evil that’s been done to us becomes us abusing ourselves, and maybe others, in ways we never would otherwise.

It’s also about whether evil can be used for good, sometimes?

It’s about guilt and remorse and self-hatred.

Because listen, I know more than a few women who’ve been through it, and despite what the right wing would have you think, most of them did not behave as though they were tossing a used Kleenex.

Most of them were genuinely distressed, upset, even traumatized by it. Not one of them didn’t have strong feelings about it, even if they didn’t want to say it out loud. It was clearly visible on their face and in their eyes.

The other thing that I know about it is that not one of them has ever said they would make a different choice. They don’t regret the choice, even if there’s still remorse.

Like putting down a terminally ill pet; it sucks, you hate it, it makes you weep for days, but even years later, if asked, you’ll say it was the right thing to do.

Anyway, thoughts and feelings on this day; I can’t imagine what the poor women go through.

Even if this case, it’s a little more… extreme.

Target: 1000 words
Written: 720 words, comic: Western Cradle #4

Read: Tropic Of Kansas, Christopher Brown
Comics: Preacher 57-59, Preacher: Tall In The Saddle 1
Music: I Know What You Did Last Summer Soundtrack, Various

marathon

Well, that was a run. Very little time today, but I managed a rough draft of the conclusion of Western Cradle.

I like it a lot, minus the obvious criticism of first draft and the last few lines being maybe meaningful, but meaning I need to expand on that a lot more during the first three issues.

Well, fuck.

Target: 1000 words
Written: 2011 words, comic: Western Cradle #4

Read: Tropic Of Kansas, Christopher Brown
Comics: Preacher 49-52
Music: I Heard They Suck Live, NOFX

back in the office

It’s been five weeks since I was there, and it still sucks.

Man, do I ever prefer my cozy home office. One can practically feel the stress melting away when I think of it. Plus, I can get more done on breaks and lunches; I don’t have to try and jam it all in before I leave for work or after I get home. It’s like gaining an hour a day.

My writing only takes roughly that; it’s a great time to do laundry or dishes or prep a meal.

Why anyone would ever want to be in an office in this day and age, if they didn’t absolutely have to…

Fucking ridiculous.

(Plus, I’m actually more productive at home; I’ve too much social anxiety to like sitting in a crowd all day).

Target: 1000 words
Written: 370 words, comic: Western Cradle #4

Read: Tropic Of Kansas, Christopher Brown
Comics: Preacher 45-48
Music: I Have A Pony, Steven Wright

slept in

Until EIGHT. In the AM!

Crazy, right?

I haven’t had more than about six or seven hours of sleep in months, without being ill.

Of course, I’m ill today, but fuck it. I am using this downtime to push forward hard on the things that I love – writing, reading, comics, with a side of meditation, exercise, cooking and music.

That’s pretty much the sum total, although I think travel, sex, video games, and various other sundry storytelling mediums also play a part.

What else could you possibly need? A greater purpose? People who love you? Righteous vengeance?

I don’t know, but I’m feeling better, anyway.

Still sick, but hell if I couldn’t use eight to ten hours every night.

Target: 1000 words
Written: 2575 words, comic: Western Cradle #2

Read: The Autobiography Of Malcolm X, Malcolm X/Alex Haley
Comics: Preacher: Saint Of Killers 1-2, Preacher 17-18
Music: Nowhere Generation I & II, Rise Against

happy fuckin’ new year

I can’t complain. We had a good time last night. I stayed sober enough to drive, which was fun.

We played the Game of Death, which is always a good time. Nobody got radiAIDS this time, so I suppose that was a win.

(RadiAIDS = AIDS + radiation poisoning. I mean, come on. You have to laugh.)

I feel like I need to go into full retreat now that the holidays are ended.

New Year’s resolution? Sell a book, write a book.

Keep on keepin’ on.

Do better today than yesterday. Start cutting out the toxic bullshit.

No more evil in my life, by my action or another’s, sanctioned by my silence.

Write. Write more. Read. Read more.

Fuck. Fuck more.

Lose some goddamned weight.

You know, the usual.

Target: 1000 words
Written: 263 words, comic: Western Cradle #1

Read: The Autobiography Of Malcolm X, Malcolm X (like it would be written by anyone else)
Comics: Preacher 5-8
Music: Nothing's Shocking, Jane's Addiction (what an album)

sergio leone

I’ll be honest, I’m kind of obsessed; his ability to create a mood simply by creating a static shot with a small bit of movement is unreal. The cinematography in his movies was never without purpose.

He once said “the myth is everything” and when it comes to creating a piece of art, I think he’s touched on something that transcends the idea of merely being creative or tapping emotions or cool concepts.

It’s EVERYTHING.

(Hell, it’s technically the entire reason for the MAGA movement, given that they’ve created a whole alternate reality where everything that promotes compassion, freedom or you know, intelligence is considered evil, a web of conspiracy thinking that has no actual basis in reality – except often as applied to the Trump grifters running the joint. See Gaetz, Matt. Where’s a man with no name when you need him?)

Anyway, huge fan of Leone, and at this point, praying he doesn’t turn out to be problematic, like every other artist I’ve idolized over the years and who continue to prove my point:

There is no correlation between skill and the relative morality of its wielder.

Target: 100 words
Written: 405 words, comic: Western Cradle #1

Read: The Vegetarian Myth, Lierre Keith
Comics: Chew 49-52
Music: No1 Record, Big Star

late riser

Ugh.

Eyes crack in tiny slits. Dark room. Alarm. One hand snakes out from beneath cold linen sheets. Taps a button. Silence returns. Cold air hangs over the bed like black cotton. Presses down heavy.

Ugh. Her legs curl under her, hand clamped between her thighs. She pulls the covers tighter, curled around her shoulders. Across the back of her neck. She feels herself shutting down.

A little while longer.

The mattress tugs. Envelops. Sucks her in, like a smothering friend. She curls into a ball. Trapped between pillow top and the black cotton air, she pulls the linens close. They slither coldly against her naked skin and wrap around her ankles.

The tinny alarm pierces her eardrum again.

God, is it louder now?

Her body turns and one hand rises, landing flat on the snooze. The room is gray now. The edges of the curtain shine with uncertain light.

Uhngh, she cries in silence and pulls the linens hard against her chest. Night air seeps in.

I don’t want to do this, she thinks as she squeezes her eyes shut and prays for sleep to come once more, laying prone. The light at the edge of the curtains teases her. Taunts her. She shifts, but the linens seal themselves around her legs and torso, and she doesn’t get far. She pulls them up to her face, over her head.

The light behind the curtains won’t leave her alone. It grows in intensity. Pokes her. Prods her. Calls her by name. White streaks of sunlight lay flat across the wall and she peeks with one eye out at the white fire outline of the window. She reaches out. Inches back the curtain. Morning light pierces the room, full of promise and potential. A universe awaits outside her windowsill, but the sun is blinding and she can only make out the largest of shapes.

Nope. Not ready for that, she flinches as she lets the curtains fall back again. The room shrugs back on its heavy gray silence. Her hands ball in front of her face.

A few moments more. Not now. Not yet.

She rolls away from the window. The linens constrict more tightly around her naked skin. She plunges, headlong, back into oblivion.

The alarm screams its ruthless tone again. It grates against her insides and fills her head like a spiked pinball ricocheting inside her skull. This time, a hand comes whirling, streaking through the dead filled air. It crashes down.

Off, damn you. It’s not time yet. I’m not ready.

She stubbornly points her back at the lighted window, the linens snapped so tightly across her form that the cold air seeps straight through.

Why is it so cold in here?

She pulls the bedclothes up over her face, over her head. The pillowtop grates at her thighs. Tiny pieces of lint dig into her side. Even the linen itself, once so smooth and so warm, feels like sandpaper that scrapes across her legs and belly.

You have stuff to do, her mind gently reminds her.

I know. I don’t care, she replies. I’m tired.

You still have stuff to do.

Behind her, the window beckons. She can’t see it. Refuses to see it. She squeezes her eyes shut. Spots and flecks dance in her smothered pupils as she refutes the call of the sun.

Ugh. Can’t it wait a little while longer?

She rolls onto her back. One arm drapes off the side of the bed, as she glares at the gray flipping numbers of the old clock. She got this when she was a child and it stayed with her since – her daily tormentor.

Tick tock, comes the back of her head.

Not time. Not yet.

She lays, sheets twisted and coiled around her legs, one arm hanging lazily off the edge of the mattress. Her tired eyes feign focus on the window, outlined in luminescent morning light. The air dances cool across her skin. Black cotton is now gray wool, stiff and suffocating. Beneath her, the mattress scratches.

You should go outside. You know what’s out there.

Thoughts of sky and sun and cars and children dance through her head. Everything so clear and bursting with colour. Violent green grass. The pink flowering cherry blossom beneath the window. The tiny rock garden with its golden sumac and its red rose bush. The tall gingko with bright orange fruit hanging precariously. People. Places. Things. The world. Life.

Ugh. Do I have to?

Yes, comes the soft reply.

I can stay here.

Not forever.

Leave me alone. Let me sleep. Please.

She tries more extreme measures and shoves her head under the pillow. Her breathing stifles. Carbon dioxide builds in the small space before her face. Her own breath, hot and stuffy, singes her eyes and wets her lips. It smells of garlic and ash and doesn’t taste much better. She pulls her knees to her chest, but the linens tighten on her thighs, keeping her from full contraction. She lays, unmoving, uncomfortable, and pulls the pillow down tighter across her face. Sweat beads up on her nose as her exhales raise the temperature. It grows hard to breathe. The room is a hazy gray now, almost white, and still, the light creeps in.

No, she tells herself, the clock.

You don’t have a choice, the clock tells her back.

Muscles relax and her grip on the pillow loosens. Fresh air creeps in through an opening at the pillow’s crease. It brushes against her face, its icy tendrils licking at her nostrils.

Please is the lame reply, the word hanging impotent at the front of her mind.

No choice. Sorry.

Again, she turns to face the window and stares at the clock. The time surprises her.

Already? How did it get so late?

There is no reply. Only silence, still and pale, frozen in the bedroom’s dim haze.

Two fingers gently pull back the edge of the curtain. A sliver of the room soaks in white heat. It bathes her face and she squints, but doesn’t turn away.

Ugh. Just…

No.

A tiny…

No.

One moment…

Not a chance.

She lets the drape fall closed and slides up. She untangles herself from the linens, unweaving the coils from her waist and legs. The air of the room is frigid against her skin and she pulls the sheets up over her naked chest. Her heart sinks as she swings her ankles over the edge and leans on the balls of her hands. For a moment, her stomach churns as vertigo kicks in. She steadies herself against the sinking edge of the mattress.

With a sigh, her feet find the floor, soft and plush, and she grips the centre of the drapes and flings them wide. White light crashes over her. Her eyes adjust and the world convalesces into pure shapes, sharp green and red and gold, full of movement and warmth and light.

Finally, she smiles, a soft and tender thanks, the edges of her lips tipped in the barest of lifts, and she exhales. Her breath waffles against the window pane.

At last.

She casts one last mournful look at the bed with its rumpled sheets and tousled mattress, no longer inviting, merely cold and stiff and sad. She shakes her head and smiles. Farewell, temptress, she says and turns from its cold embrace. Fare thee well. She heads for the door, to greet the day, however much of it yet remains.

Target: 1000 words
Written: 399 words, short story: Late Riser

Read: The Vegetarian Myth, Lierre Keith
Comics: Chew 45-48
Music: No. 4, Stone Temple Pilots

i get it; i’m late

For all the things I wanted to do with my life, I probably would have had to have started as a teenager.

Unfortunately, the lessons I needed to learn, the skills I had to grow (and am still growing), the mindset, the life experience, all that stuff… it unfolded a little slower than it probably should have.

Maybe I could have gone a more traditional route, and maybe I could have been content with that, but when have I ever been content with anything? In the moment, I can be, in the midst of a good meal or a great book or great sex, a nice moment in the sun while walking the dogs.

But isn’t that the only time ever?

I know it will take me probably until I’m a hundred and no longer able to function physically or mentally to do the work that I want to do, to see the places I wanted to see, to have all the experiences I’ve desired.

I probably won’t make it, barring terrific medical advances. Of course, I could live that long but the growing spectre of fascism, the threat of climate change, bigotry and hatred, the complete breakdown of both civility and the willingness to stand up for what is right, in action more than words, is likely to end this planet (or at least my life or the ability to do the things I desire to do), all that pretty well guarantees that this is a fool’s errand.

But what’s the alternative?

Giving up?

I know I’m a late bloomer, but hell. Fuck it.

There’s no do-overs, so it’s now or never, and if I die in the attempt, without making the impact I would have liked, well, there’s no shame in trying.

Only in giving up.

Target: 1000 words
Written: 1479 words, short story: Late Riser

Read: The Alchemist, Paulo Coelho (also, this has nothing to do with this book, it was garbage, like Eckhart Tolle fucked Hans Christian Andersen and their baby read The Secret on the way out - stuff like this is why people get stuck in their own heads thinking they just have think things into existence, or that all skill is just natural, instead doing the fucking work.)
Comics: Chew 42-44, Chew: Warrior Chicken Poyo (POYO!) 1
Music: No!, They Might Be Giants

early risin’

I’m up earlier than I wanted to be, but so is everyone else, which kills my time to meditate and read and put on headphones and plow through a random selection of music on my way to the second coffee of the day.

And I’m thinking about time.

I’m thinking about how frozen I am; how stuck; how the only barrier to me getting what I want and being the thing I want to be is myself and this mental block, this block behind the tires of the trailer that is my mine.

My wheels are spinnin’.

Moving beyond is terrifying; there’s so many bad things going on in the world right now to stop it from ever happening, but I cannot control those. I can only control what I need to do to get what’s in my head out of my head.

It’s getting it past that that’s the real trick.

How does the world find it? Can I get it done before I die?

Geez. I guess there really was a theme to all this.

Target: 1000 words
Written: 1273 words, short story: Late Riser

Read: The Alchemist, Paulo Coelho
Comics: Chew 39-41, Chew/Revival 1
Music: No, Virginia, The Dresden Dolls

broke down car

It’s not right, I tell you.

Somewhere along the road, something got broke and it can’t be fixed. The engine keeps failing and no one can figure out why. But instead of replacing the car or the damn engine, we’re stuck with the thing – failing, over and over. Sometimes in the driveway. Sometimes on the freeway. Sometimes on the curve of an icy road.

And no matter the frustration, no matter how often we try to fix the damn thing, it doesn’t get any better.

It gets worse and worse and we know – one day, nothing’s going to start that car again. We’re going to be stuck, wherever we are, in a parking lot or a snowbank or piled up in the wreckage with a dozen other cars enduring the same nightmare, and that’s where we’ll be.

Forever.

Freezing or bleeding or quietly starving to death. We can’t get out and walk. We’re locked in. The car won’t start. We already ate the only granola bar in the glove box and ripped our shirt to tie around the hole in our belly, but we’re still bleeding. Still dying. Still stuck, in motion or standing still, inside this goddamned car, on this goddamned road, that we never wanted to be on in the first place!

We don’t know how we got here. All we remember is getting behind the wheel and the car started moving on its own. It keeps going and going, and every once in a while, there’s a nice place to stop for a cup of tea, or some beautiful body in a car that smiles as we pass, and maybe, if we’re really lucky, a good song on the radio. Something beyond the nightmare newsline or the static rhythm of whatever tired old pablum some generic pop star is regurgitating to the front lines.

Eventually, this car will die, and we won’t know where that is. Will it be in the high country, in Pirsig’s mountains? Or in the desert, those vast plains of dry and dusted skeletons? Maybe in a city, in the run-down parts, where people oppressed by others who know no oppression scrabble for food and shelter and feed themselves on compromise, over and over again, the way we do, when we’re running out of hope. When we’re living hand to mouth and all of a sudden, the goddamn car takes a shit. Again.

This car takes a lot of shits. We take a lot of shit.

Sometimes, all we can do is sit there and cry, glaring at the dashboard with desperation as it flashes its warning lights, pounding on the steering wheel and screaming bloody rage at the insensibility of it all. All the while, the wheel takes us nowhere we didn’t choose to go, in fits and starts, sometimes slow, sometimes beyond any sensible limits.

We could have gone anywhere, if we’d just ignored the directions we were given. Instead, we followed turn after turn, signpost after signpost, going where the arrow pointed, and now we’re here, with everyone else, wondering what the hell went wrong. Wondering why that turn into the green valley looked so pleasing, and why we drove on anyway into the smog and the soot. Why the thing sputters and chokes and makes noises we can’t identify, over miles and miles of busted asphalt and crushed gravel. We wonder why we learn to live with the little imperfections. The tear in the seat where the spring sticks through. The radio that only tunes one channel, poorly. The rearview mirror held up with baling wire and a trunk that won’t quite close. That goddamn muffler.

Yes, someday, this car’s going to die, and nothing will revive it. Someday, this car will cruise or crash to a stop, to its final resting place, its forever home. It’s going to decay and become no more, as will everything around it, up to and including the road itself. A pile of dust it will be, carried on the wind to the desert, mote by obsequious mote, until it’s so far lost, no one would ever know it existed.

That’s where we all go, in the end.

And no hunk of junk is going to stop us.

Target: 1000 words
Written: 152 words, short story: Broke Down Car

Read: Permanent Record, Edward Snowden
Comics: Chew 35-38
Music: No Way Back/Cold Day In The Sun, Foo Fighters