we are not who we think we are

It’s common in Taoism, Buddhism, etc., to assume that the mind is not who we are, that we are something beyond our conditioning, our monkey minds, the trappings of our social circles and belief systems.

That there is something, someone beneath all that, so completely in tune with the universe that it can, if we can fall back into it, blow away all the bullshit of our selves and lives with a gentle breath, to reveal the bodhisattva at the centre of it all.

I believe this to be largely true. I’m not a religious man, but when I’ve sat and peeled layers, letting each go in turn…

I’m in there. I’m at the centre, not matter how rotten the layers get as we head toward the outside of me.

And that centre is everything.

Target: 1400 words
Written: 2105 words, comic: The Stuff #1

Read: The Catcher In The Rye, J.D. "DawggyDawg" Salinger
Comics: Cinderella: Fables Are Forever 4-6, Fables 102
Music: April 10, 1990, Blind Pig, Ann Arbor, Nirvana (yeah, I got the bootlegs)

perspective

I always miss the point.

I don’t know why. It can be staring me stark in the face from six inches away and I’ll crane my neck to look around it, to see what’s on the other side.

I guess it’s a matter of perspective. I spent a lot of years with none, and now, to rectify that, I’ve gone whole hog the other direction.

The other side of the road. The alternate view. The real truth – yours, mine and reality, from as many angles as I can scope.

And it’s blinding.

The funny thing is, this isn’t about overanalysis. A lot of people might interpret this as second-guessing or lack of confidence or whatever, and maybe to some extent, that’s the case.

But mostly it’s about being burned, over and over again, by a lack of insight.

Like right now.

I’m about to fire an asshole, over the accusation that he touched a woman’s bum. He sits in front of me, all hang-dogged in his expression, his big brown eyes threatening tears. His hands are folded in his lap, and they fidget as only the guilty can. Or the innocent, who don’t know why they’re there, but know it’s bad.

The assumption is guilt, but it could go either way. Would he protest more if he were innocent or guilty? Would I be able to tell the difference? Tone of voice, waver, urgency. Would I recognize crocodile tears? Doth he protest too much?

Most of upper management wanted him gone the same day without even cursory examination. A show of strength. For the females in the group, a show of solidarity. For the men, a desire not to show sympathy for the acts of an accused molester.

It’s all optics. Political correctness and “action” as a substitute for facts and discovery. Talking points, the surrogate, in the place of judgment, made in bluster about the ‘right thing’; in reality, about not getting sued or cancelled. Protect the bottom line, at all costs.

Me?

I can’t let it go without perspective. I believe that we start neutral and ask questions and work toward the truth. That starting with an assumption of guilt predisposes us to dismiss evidence that suggests otherwise, and limits our desire to seek out the truth.

Starting with an assumption of innocence can do the same. It’s not terribly fair to the victim, especially if they are a victim. It’s hard to feel good about accusing someone who’s been wronged of exaggeration or deceit.

On the other hand, if they are lying… I know it’s not popular to assume they are, but it does happen. More often than I think we care to admit. You’ve met people, right? They lie.

Of course, if you have to start with one or the other, innocence is the way to go. Better to believe in the inherent goodness of people than not.

Anyway, there’s this fucker, running around, wanton hands on the behinds of unsuspecting women, or so his accusers would have us believe, without examination or skepticism. I choose investigation. Questions. Find the truth so the truth can out.

It wasn’t a popular decision, but like I said, I need perspective. I’ve been told how unfair this is to the victim, that she should be listened to with unwavering belief, as though she’s God, and we’re the Catholic faithful.

But I’m agnostic.

If we’re about to destroy a man; perhaps a suspension of all disbelief is not the best method to do so. After all, the guy is married. He has two children, both toddlers. If found guilty, he has to go home to his wife and children and tell them he lost his job – for sexually assaulting a woman. Maybe he lies to them, but there’s lots of mutual friends; the truth will out eventually. It always does.

And then what?

Does his wife forgive him? Does she leave him? Does she take the children? Do the children grow up with angry, divorced parents or without a father because of one unwanted hand on someone’s behind?

Does he lose his house, his car, his family? Does he end up broke and homeless, on the street, shunned by friends and family alike, unhireable by any company that doesn’t want to risk a potential rapist in their midst?

A life destroyed. For a hand on a butt.

Multiple lives destroyed. Collateral damage. Innocent lives destroyed. Children’s lives.

For a hand on a butt.

The woman will go on. She’ll forget about this in a week or two, when things settle, and she’ll go back to her life in her cubicle with her friends and her new boss.

Oh yeah. Did I mention he’s her boss?

Yeah. Super shitty.

If legit.

Anyway, the woman will go back to friends and family and work and maybe some other man’s hand on her ass, and chances are, little will change for her. She might get creeped out at the thought of this guy if it comes up. She might be kind of skeeved.

He, on the other hand, may be on the street. He may lose everything, while the extent of her trauma is an uncomfortable memory, from time to time.

Proportion becomes a word to think about.

Proportion and perspective.

While the masses howl for blood, I ask questions. Compare and contrast. Weigh options. Consider motive, as well as action.

Who brought the charge?

The woman did. She was pushed into it by her boyfriend who also works in the space, and by his boss. She told us as much.

That’s interesting.

In her interview, she openly admitted to flirting with the accused and not actually wanting to speak with HR. Her boyfriend insisted.

The boyfriend has a history with other women in the building. He’s taken them to HR more than once to resolve some petty dispute, rarely work related. At times, he’s used the threat of discipline and termination to keep an ex-lover away from him, even as he texted them for a booty call that night. He’s used HR to separate lovers he didn’t want to know about each other. He’s promised no more contact with former flames, only to re-engage immediately. More than once, the full story was shrouded in obfuscation.

Motive. Past tactics.

Half-truth for revenge on possible rival?

What about the boyfriend’s boss, who backed the allegation, though not a direct witness?

Similar rival. The accused was involved with a friend of his. Both were married. Suspicions of emotional cheating. A lot of texts and flirting. The boyfriend’s boss, then only co-worker, was livid with moral outrage, despite his similar behaviour with another employee, also married. The boyfriend’s boss isn’t exactly known for his ability to keep his pen out of the company ink. Indeed, the boys’ club, locker room bullshit is how he got promoted in the first place.

Motive again. Revenge is an aphrodisiac.

Alternate perspective. Assume good will.

Boyfriend genuinely upset about sexual assault on girlfriend. Girlfriend hesitant to report, due to stigma or concerns about backlash or believability. Boyfriend leverages boss. Boom. Human Resources.

Justice.

Or…

Motives of jealousy and general dislike, an accuser uncertain about making accusation, who actively admits to both flirting and enjoying said flirtation. Exaggeration or intentional deception?

Misread signals? Overzealous overture?

Inappropriate act.

Perhaps the word proportion needs to return.

Re-assignment? Demotion? Discipline? Isolation? Suspension?

Boyfriend makes threats of police involvement. The issue is being pushed. I can feel the twine pull tight around my hands. Still.

Still.

Innocent until proven guilty.

And if guilty? To what degree? Will his accusers laugh to themselves, smug and satisfied, as my judgment gives their drama legitimacy? What if their drama is false? What if it’s not true?

The man’s on the street. Dead in a gutter. Victim of the drink.

Or maybe none of that. Maybe his wife forgives him with open arms, knows he’s innocent, and he’s employed in days, if not hours.

Like I said. Perspective. Knowledge. Speculation. Too many ways to look at it. Could be the guy’s a real creep. Definite possibility. Hasn’t come across that way in the past, but he is over-friendly, with everyone.

So many ways to see it. So much information.

I’ve always been jealous of those who charge forward, heedless of reality.

A witness comes out. Heavyset girl, teammate of the plaintiff. Best friend. Says she saw the whole thing.

Funny. We were told there were no witnesses. Plaintiff versus defendant, alone, in the library with the candlestick. He said. She said.

The witness is the best friend. Convenient, but no way to refute.

There’s a whiff in the air.

But here we are.

With this guy.

This fucking guy.

The only thing we can do hangs in the air. And my time is running out.

I lean in, my fingers crossed on the table before me. My voice, laden with gravitas.

“I’m sorry, son. We have no choice but to let you go…”

Target: 1400 words
Written: 504 words, short story: Perspective

Read: The Catcher In The Rye, J.D. Salinger
Comics: Fables 101, Cinderella: Fables Are Forever 1-3
Music: February 11, 1990, Cactus Club, San Jose, Nirvana

2026

Well, a relaxing night last night amidst weird changes – I’ve become convinced I’ll be rewriting the penultimate scene before the climax and epilogue of Boor & Aghast. We’re enforcing sobriety on someone, in the hopes that they won’t kill themselves or others driving.

We’ve lost most of our friends, inexplicably, and the ones who’ve stuck with us are true.

I’m not sure what the rumour mill is, or the allegation, or whether it’s just people tired of me not kowtowing to right or left wing hardlines, despite being entirely anti-Trump.

Sorry, but outrage is a terrible way to live, and proportion is a conversation that must be had.

We end people’s lives over stuff that isn’t actually all that traumatic. A micro-aggression is no reason to blow somebody up. It’s a polite conversation for understanding; not a social media smear campaign designed to destroy families, careers, relationships, and ultimately, probably radicalize the individual in the opposite direction.

If a kid swears in front of his parents, we don’t treat them like a murderer; we talk to them about the appropriate use of language.

Perspective and proportion, always. You don’t use a tank when a flyswatter will do.

Anyway, happy new year; here’s hoping this is the year some sanity returns.

Target: 1400 words
Written: 765 words, short story: Perspective

Read: The Catcher In The Rye, J.D. Salinger
Comics: Fables 99-100, Jack Of Fables 48-49
Music: 1989, Taylor Swift (I have great memories of garage dance parties with my niece to Shake It Off, so don't be haters - I love that kid, and she's the reason my algorithm skews to Swift, Rodrigo and Eilish)

end 2025 and father frank

Well, I’m batting .500 on my resolutions.

I didn’t lose weight, but I did write a full-length novel, so that’s cool.

Bit of a bittersweet day, and not just because we had a funeral this morning.

Catholics are weird; Father Frank, who talked about the body the woman would return to, said it wouldn’t be the 100-year old body (which he referred to as “ripe for the picking”), it would be…

*leers at young, attractive, large-breasted girl in the front row*

“young, pretty and, mmm, vivacious”

*leans over to attractive, muscular young man further down the row*

and equally creepily, in lecherous old man tone, says

“strong and vibrant, mmmm… vibrant”…

Suffice it to say my kids would never be alone with that nasty old fuck, certainly not in the equally skeevily-named Good Shepherds Room, off the main hall.

Christ, Catholics, what the fuck are you even doing? You know this is why you’re on the decline, in addition to being an unserious institution of role players doing the religious version of D&D with its man in the sky fiction, and pretending that gives them power over people, and the ability to be a goddamn pervert?

How about in 2026, we just get rid of religion altogether?

Target: 1400 words
Written: 1202 words, short story: Perspective

Read: Plot & Structure, James Scott Bell (so useful)
Comics: Jack Of Fables 46-47, Fables 97-98
Music: Bleach, Nirvana
Year Totals:

Target Words: 450400 words
Written Words: 443120 words, 1 novel, 3 comics, 3 short stories, 3 poems
Books Read: 84
Comics Read: 1637 comics
Albums Listened To: 449 albums
New Recipes Tried: 258 recipes
Places Travelled: 7 (Muskoka/Prince Edward County/New York/France/Germany/Netherlands/Switzerland)

jane says

“Jane?”

I roll over in bed. The fog of sleep squeezes my forehead. My eyes struggle to adjust to the light. “What’s the matter?”

My voice is a whisper in the dark. I can’t see Jane properly, but she’s sitting up. The outline of her body is a slate silhouette against the headboard.

“Honey?” I say a little louder and reach my hand over to her side of the bed. It lands on her knee. She doesn’t move. I shake her leg, gently, at first, then with a touch of vigour. She doesn’t budge. There’s a kind of lull in the arc of her head as it bobs down. “Babe.”

Jane doesn’t respond. My teeth grind in frustration. This isn’t the first time she’s done something like this.

“Really? You’re still mad about earlier?” I shake my head.

Again, no response.

“You know I didn’t mean nothing by it. I just wish you’d be a little cooler, you know? Sometimes.”

A car speeds past outside. Its headlights cut a jagged silhouette across the ceiling. Jane’s faced away. Head down.

“I mean, it’s not that you’re not a good wife or whatever. It’s just, sometimes, you pick at me. And we aren’t as, uh, intimate, as we used to be.”

I pull my hand back from her knee. The sullen shape next to me sits in silence. In my mind, in the darkness, her arms are crossed, her lips pursed and pouting. I know what this is about. This goddamn shit again. The bitch doesn’t trust me.

“Listen, what Lisa said don’t mean nothing. I mean, I know you think there’s something there, but I swear to you, there’s not. It’s just… listen. She’s got a nice figure. That’s all I meant by what I said. And then you started with the cheating talk and I was only trying to explain myself. I love you. I mean that. But she’s a pretty girl and sometimes, a pretty girl starts talking to you and you don’t really think and that’s when you get in trouble.”

I breathe in deep. Around me, shadows loom out of the furniture, from behind lamps and dressers and pillows stacked in the corner. There’s a weird scent to the room, familiar, but out of place.

“I mean, I guess you’re right. I shouldn’t have been talking to her like that. It wasn’t flirting, I swear, but I can see your point. But she shouldn’t have told you. She’s your friend. If she didn’t want nothing to do with me, I mean, if she were getting the wrong impression, she should’ve said so. I didn’t mean nothing by it. Instead, she’s gotta start shit between us.”

It’s a sort of sharp smell, but subtle.

“I know I should’ve told you. But it wasn’t a thing, not to me! I didn’t think I did nothing wrong. How was I to know she was gonna make a big deal out of it?”

I roll onto my side and place my fingers on Jane’s shoulder.

“Anyway, I’m sorry. You’re right and I’m wrong and I’ll make it up to you,” I roll my eyes. “I won’t talk to Lisa no more, that’s for sure. Who knows what kind of crazy shit she’ll make up next?”

Jane sits unmoving, a statue in the night.

“Not that it was all made up, but you know. Exaggerated, probably. I don’t know exactly what she said to you but knowing her, she probably made it sound way worse than it actually was.”

Jane’s eyes point down at her lap, inscrutable in the darkness.

“Jane, honey. You gotta say something.”

Silence.

“Come on already. Speak up.”

I snatch my fingers back from her shoulder and shake my head. It only takes an instant for the rage to well up inside me. I’m so fucking tired of this shit. Enough’s enough.

“You know what? Fuck this. You always fucking do this. Something happens you don’t like and all of a sudden, I’m the worst fucking person in the whole wide world! And then I gotta sit there and listen to you go on and on and give me the fucking silent treatment because you don’t trust me for shit.”

The mattress bounces as I sit up and lean back against the headboard, arms crossed.

“So what, I said your friend had a nice body. So what? That’s not my fault. It’s true. I see her, jogging through the neighbourhood. She works out at the gym. She looks good. When’s the last time you went for a jog, huh? When’s the last time you went to the gym?” I demand. “Never mind. Don’t answer. I already fucking know. Fucking never.”

She’s gonna get it now. She’s gonna wish she never tried to take me on. Bitches gotta know their place.

“So, yeah, I fucking look. Maybe if I was treated a little better at home, I wouldn’t. Every night, you got a fucking headache or something. You gotta work in the morning. You’re pissed at me for some reason. Christ, I stayed out, like one night, with Chuckie, and you’d have thought I murdered a fucking baby.”

I give her my best mean stare in the dark.

“Oh, I know you didn’t say nothing, but I can tell. It’s your way or the highway, right? Because it’s not like anyone else should compromise, huh? Look at you. What effort are you putting into this relationship? Maybe if you had a body like Lisa’s, we wouldn’t be in this situation. Or maybe if you took care of my needs once in a while. I mean, we haven’t had sex in a week. I can’t even remember the last time I got a blowjob. Like, three weeks ago? A month?”

My hands gesticulate in the dark, animate cursors of past injustice.

“I do so much for you. Last week, I bought you a brand new fucking microwave and what’d I get for it? Not even a thank you. Maybe I’m not the one who should be sorry here. Maybe it’s you. Maybe if you weren’t such a fucking bitch all the time, we wouldn’t have this problem.”

I stop to wait for a reply, but none comes.

“You’re such a fucking coward,” I spit. “So passive aggressive. Can’t just speak your mind like a normal person. No, you gotta sit there like a fucking lump and give me the silent treatment.”

Jane’s silence continues. Fucking cunt. Fucking bitch. My lips curl into a sneer.

“No wonder I’m looking,” I throw up my hands. “You don’t talk to me. You don’t communicate. You don’t wanna mess around. I’m not a fucking mind reader! I don’t know what you want!

I throw my hands up in the air in exasperation. Still, nothing from her side of the bed. Christ, she’s really leaning into this whole silent treatment, the bitch. I decide to change tack.

“Listen, all I’m saying is I’d like a little more attention. And maybe for you to drop like, I don’t know… ten pounds? Twenty? It’s not like I’m asking you to go fucking bulimic or something. What are you? A buck forty now?”

Nothing. Huh. Thought that’d get her for sure.

“Maybe thirty pounds. I mean, it’s not that much, really.”

It’s like talking to a ghost.

“Fuck, no wonder I’m hitting on Lisa,” the sarcasm drips from my mouth. “With all this intellectual stimulation and conversation I got at home. She’s a fucking liar, but I’d bet she at least talks to her man. You don’t start talking, I’m gonna be that man soon. I bet Lisa wouldn’t give two shits about screwing you over once she hears what a fucking bitch you are. I know you don’t know it, but I’m a catch. Any girl’d be lucky to have me.”

I scan for any hint of movement. None is forthcoming.

This shit really burns my ass.

Fine. She wants to play this game, I’m going scorched earth.

“And what are you?” I continue. “Huh? You think you’re a fuckin’ prize? A bitch who can’t spend half a second on her man? You don’t even look nice when we go out places. You’re embarrassing. It’s embarrassing to be with you. You fat, fuckin’ pathetic, fuckin’ bitch. You know what? Fuck you, Jane. Fuck you.”

If that don’t do it, nothing will. I flop down on the bed, face away from her and sneer.

I bet she’s got tears running down her cheeks. I bet she’s gonna cry. I listen for sounds of sniffling, but it’s quiet city on that side of the bed. There’s nothing at all. I lift myself back up on my elbows and search Jane’s face for signs of distress. It’s too dark to tell. She still doesn’t say anything.

The bitch.

I jerk her wrist from beneath the sheet and squeeze. I’m gonna get something out of her one way or another. Something squishes between my fingers, slithers out between my knuckles as I wrench down on bones, bones that feel ready to break. Instantly, my hand snaps back. I hold my palm up in front of my face, but the night provides only the greyest of glistens.

“Why are you all fucking wet?”

Instinctively, my eyes go back to Jane’s face. Her shadow stares back, black pits on a black face, in a black room. The out-of-place smell comes stronger now.

“Oh, no, no, no, no, no.”

I reach for the lamp beside the bed. The shift in the mattress rocks Jane and she slumps sideways, out of the bed, onto the floor with a clatter and a thud. She bounces off the nightstand, her legs still trapped in the sheets. Her skull loudly off the hardwood. Something metallic skitters across the floor.

“Shit. Jane? You okay?”

I click the lamp on. A pair of red circles stain the mattress, bled together and trailing off the side of the bed. I can’t see Jane’s face. Only her naked legs twisted up in the sheets, and the hem of her nightgown fallen up over her hips, exposing her to the night air. Rivulets of blood stain her thighs. One wrist, twisted up, seeps slow red.

“Jane?”

I lean toward the fallen figure draped off the edge of the bed.

“Honey?”

The stain in the mattress floats back up under my weight, pooling beneath my hands.

“Say something. Anything.”

Across the ceiling, the lights of a passing car slash through once again.

From the floor, silence.

Target: 1400 words
Written: 433 words, short story: Jane Says

Read: Plot & Structure, James Scott Bell
Comics: Cinderella: From Fabletown With Love 6, Jack Of Fables 45, Fables 95-96
Music: December 28, 1988, The Underground, Seattle, Nirvana

the run

I pull back on my laces. Gotta keep those shoes snug.

The morning sun is still beyond the horizon as I stand on the front steps of my porch, and stretch it out. The air is chill with dew, and hangs humid against my bare legs, exposed below my running shorts. It’s five in the morning, and it’s time to get moving. There’s a moment of hesitation, a flash of cold night and warm bed, but that’s not really an option. Not today.

I push off the steps and I’m on. My shoes build a slow rhythm as I turn onto the sidewalk toward the end of the street. There’s nothing like a good morning run. Wind cuts across my cheeks, and my legs are stiff from the night’s rest. My street is a quiet street, with tall maples and raucous, well-trimmed gardens, painted in nocturnal relief. It’s only a block or so to the park, and soon, I jog down a path of cement cuts, stamped with spraypaint signatures from long ago.

Joey loves Jenny. Peter was here. Eat me.

I round the ring at the centre of the park. It opens up, a deep circle of blackened shrubs and dark paths nestled around a silent fountain. Something about the scene is positively Gothic, as though Dracula might chase his virgin bride from the darkness at any moment. I refocus.

Pick up the pace. Warmup’s over.

I will my body faster and it responds with ease, a smooth shift into second gear. My legs chug, one after the other, right, left, right, left. I love this time. There’s a meditative quality building. The city, ever so still in the early morning, echoes back my footfalls. But this isn’t time to spectate. It’s time for focus. Left, right, left, right.

I cross the small bridge on the far side of the park, past the cenotaph with its bronze soldiers and red-tainted poppies, and turn onto the vacant streets of the downtown core. The slap of my feet is beyond me as breath fills my ears and my mind. In, out. Deep, out. Past silent stores I run, legs pumping. I’m just getting started.

I cross the deserted street and into a back alley behind a theatre long out of use. The alley is cold, but my blood rushes, and a battle ensues between the air and the hot veins beneath my skin. Past a coffee shop, a police station, a liquor store, a dentist’s office. Down into a residential area, replete with old houses of colonial trim and heavy wooden doors. Past sculpted yards and side streets I run, down to an angled intersection that banks onto a main thoroughfare.

I take a left this time, ignoring the Don’t Walk sign in the early, early morn. There’s no cars out yet. No police. Even junkies aren’t awake at this hour.

My feet pound against the sidewalk in steady rhythm. One count, two count. One count, two count. And so it goes. It’s not even five-thirty yet, but the horizon starts to light up the east. Soon, traffic will be everywhere, and I’ll be forced to back streets and stationary jogs at stoplights. I risk a look at my pedometer and smile. Good pace.

I feel good. I contemplate a longer than usual run. It’s not a workday. The wife worked late. She won’t be up for hours. The kids are at Grandma’s. Why not?

I can’t help but smile.

The excitement of a marathon run gears me up and I go a little faster, sprinting for a few blocks before I decide to set a more even pace, if I expect to pull twenty-six-point-two miles.

I take a right on another main thoroughfare. I work on this road, and if I go far enough, I can make it there. This seems to be a good target for now, so I push it a little harder. It’s a long, straight stretch wehere I can focus on pace and breath, breath and pace. My mind sets on autopilot and all I know is the pendulum of my thighs and the low, deep breaths pulled down my throat, drove low into my belly. There’s flow here, simple ruminant energy as I slide through the air, focused, determined, and happy.

Passing the office, I laugh. Fools. They don’t know I’ve been here. How strong I am. How joyful. In the windows out front, I catch a glimpse of my silhouette. Lean, tightly muscled, strong legs and calves, a fine specimen of physicality. They don’t know what they’re missing.

I turn my attention back toward the road, and catch something out of the corner of my eye. A shadow in the window. Was it real? It ran with me. Behind me. A momentary flash, a few yards behind. I catch myself slowing.

Don’t. Don’t stop. You slow, you stop. You know this.

I push back up to my previous pace but the damage is done. The burn in my legs begins. I look down at the pedometer. Not even halfway.

Push on.

I take it down a notch, though not enough for my legs to feel like I’m no longer pressing. That rings a death knell. This race, this run, would be over. Behind me, the sun breaks the horizon. I’m just getting started.

Five more, I think. Five more miles to the far end of town.

I take a left on a trucking route and throw my arm up as the headlights of a passing semi blinds me. The wind whips and dust gets in my eyes as it passes, but still, I push on. The street rises, up over some train tracks.

Yes.

I can feel the rhythm settling back in my thighs. The incline, however small, provided cure.

Slap.

Slap.

Slap.

Slap.

My feet beat their own drum, hammering the pavement with authority. The muscles uncoil in my arms, my shoulders, my chest.

Another window. Another flash.

The shadow is back, clearer now. Ten feet behind me.

Another semi comes up behind me, its wind propelling me forward.

Ignore it. Focus on the run.

My mind slips into overdrive, and I push my limit. I’m locked in, focused. Zen.

Arms pump. Knees bend. My legs muscles flex and tear, ready to rebuild into something new. The shadow again. Every window now. My silent companion. It’s gaining on me.

Orange paint splashes the sky as we reach full dawn, and the air heats up around me. My shadow grows longer. Taller. Its elongated legs move in rhythm with my own. Left, right. Left, right. Slap. Slap.

I’m near the edge of town. An overpass rises before me. This is a busy highway and a dangerous one, so me and my shadow duck down a gravel road that leads back toward town. It will come out near my parents’ place, but they won’t be home. They spend this time of year south, with the other retired veterans of the working world’s war. Gravel digs into the sole of my shoe and pushes up into the ball of my foot.

Maybe this wasn’t such a good idea.

The sun is full bore over the horizon, and its white luminescence sprays pale light through the tall ash groves that line the country road. Lights appear in the windows of small farm houses, but they don’t notice me.

My shadow is closer. I can feel it.

Fatigue sets into my legs. I know I’ve slowed down. I’m not sure if it’s the gravel road or the morning sun, but my focused meditation has fallen into apathy. Hope bleeds in a slow trickle. This is a spirit I need to break.

One more mile. That’s it. You’ve come so far. Such a long way. I tell myself to focus on what I’ve done, not how much is left.

It doesn’t work. I push it, but my body still slows.

Okay. Don’t worry about the past. You’re fresh. You’re new. All you have is one more mile. Don’t worry about the rest, or how much farther than that you are from home. One more mile. That’s it. You can do that. You’ve enough left in the tank. It’s no big deal.

There, better. Not as fast, but steady. Not slow. Legs pendulum. There’s a tight, hot burn in the thighs, an alternating pull across my lower back. My heart pounds. I breathe slower. Deep, not fast. Fast will wear you out.

Another turn, left and then right.

I should have taped my nipples. They’re getting raw. Should have stretched more. Better.

But then, I didn’t know. Gravel stabs up through the soles of my shoes. It rolls and slips beneath my feet. I didn’t know this was the path I’d chosen.

It seems so long. Still so far. So much left to go before it’s over.

The shadow is right behind me.

The rawness of my nipples has expanded. It’s a tight burn in my chest. An acid reflux localized in the centre of my ribcage.

Did I choose this? Is this my choice?

The sun sprays bullets over the horizon, ricochets off the tin roof of a local junkyard, the shattered glass of a dead car.

I chose this.

I didn’t know it would be so long.

A pickup truck screams past. Lost in thought, in obsession, in the numb feeling in my feet and the genetly squeezing fist in my chest, I didn’t hear it. It sprays gravel, striking my shins and knee. I might be bleeding. I don’t have time to check.

The run goes on, me and my shadow, right behind me now, almost part of me, its ethereal teeth clattering at the back of my neck.

Another truck screams by, and another. I stumble sideways, the last one too close. I dangle perilously on the edge of a drainage ditch, and catch myself on a wagon wheel mounted in the ground.

Gotta get off this road. I stagger forward, nearly fall, but don’t stop. Can’t stop.

To stop is death.

The shadow with its hand on my shoulders agrees. It hisses in my ears, and I swear, I can feel its tongue just behind the line of my slackened jaw.

The pain in my chest gets worse.

Blood seeps through the front of my shirt, at the nipples.

The sun breaks free of the tree line. Gravel transitions to pavement and my feet sigh with relief. A bee buzzes past my eyeball, collides with my temple. It chases me a while, adding a flailing, waving component to my run. The shadow grins. It’s on top of me now.

I turn, the last turn, the straight shot to my own neighbourhood. I can’t check my miles. Don’t check my speed. All I know is this is the path I’ve chosen, the race I’ve elected to run, in sudden spontaneity, without really thinking it through. All I wanted was the joy of movement, the runner’s high, the meditative bliss of steady forward movement. Of accomplishment. What I found is tunnel vision, a creeping black blur that surrounds my vision, the shadow with its jaws around my head, its teeth creating a shrinking black ring.

The pain in my chest has taken on tightness, a bed of nails, mounted to a carpet, being wrapped around my heart, pointed side in. Every exertion, every pulse, every beat and pump and breath, tightens the iron maiden.

The shadow’s teeth are in my face now.

I’ve lost track of where I am. There’s a building. A box store? A Legion hall?

Something old. Something new, I’ve seen a thousand times.

And something saying softly, relax.

Easy.

Take a deep breath and lie down.

And then I know.

I’m on the pavement. I’m on the sidewalk, my face on the hard concrete.

Prone.

Stopped. Fallen.

Nearly there.

So close.

The path I chose.

So close.

And yet, not far enough.

Target: 1400 words
Written: 4483 words, short story: Jane Says

Read: Plot & Structure, James Scott Bell
Comics: Fables 93-94, Cinderella: From Fabletown With Love 5, Jack Of Fables 44
Music: 1985 Demo Tape, They Might Be Giants

bobby loves jodi

Bobby loves Jodi
Who loves Jenny
Who loves both of them together
(from time to time)
Plus Peter down the way
and his best mate Damon
(in Lego block formations, interlocking wherever the pieces fit)
Damon fancies a pint of Gina
who loves nothing better than muscles on a man
(or men)
And she loves Adam who loves Joey
who bleeds Joey
and only Joey
in defiance of Gina
And what one drunken night descended to
(and descended a lot)
(like, really way down)
And didn’t involve Jordan
Who fancied Terri, Amanda and Tariq
At the same party where he fancied Lisa, Donna and most of the lower half of Angie
(what a time that was)
And we all laughed because it’s just tits
And ass
And cocks
And cunts
But it’s so goddamned complicated
(and so goddamned simple)
Like the most pungent game of Twister
Where everyone collapses in laughter
Save one or two who lay uncomfortably on the bottom
and draw back
Because Bobby loves Jodi
And sometimes Jenny
Who loves both of them together
and isn’t that nice

Target: 1400 words
Written: 3673 words, short story: The Run

Read: Plot & Structure, James Scott Bell
Comics: Cinderella: From Fabletown With Love 3-4, Jack Of Fables 42-43
Music: 1973, AC/DC (with Dave Evans)

constrained

Bound, constrained.
Surrounded by rough ropes crafted by these hands
These hands, that tapped keys in wispy prose
Slammed harsh declarations
Strangled like a noose
Hewn strands of wound steel
Wrapped in silk
Intent on withering on the vine
No bloom
Only brown petals|
And cracked dry leaves
Is it soft inside?
Or cast iron hard?
Torn between hardline and open arms
Are they one and the same?
Could they be?
Solid, but moving, like mercury peanut butter
Flexible, but unmoving
Always in motion, but stuck in your throat.

Target: 1400 words
Written: 315 words, poem: Bobby Loves Jodi

Read: Plot & Structure, James Scott Bell
Comics: Fables 91-92, Cinderella: From Fabletown With Love 2, Jack Of Fables 41
Music: 1969: Velvet Underground Live, Vol. 2, The Velvet Underground
There's a lot to be said about knowing what you want to say, but not knowing how to say it, and that's all I can say about that.

kill everything

You wanna kill?
You wanna kill.
Slithering, sliming kill.
Tortuous, driving, stabbing, kill.
Kill your darlings?
Kill yourself.
Kill yourself.
Kill your self.
The little clear ball of essence at the centre of your being.
You wanna kill?
Kill the construct.
Tear down the scaffolds of perception.
The told of who you are.
The thought of what you’ll be.
The picture of Dorian Gray,
Superficial.
Paint on a wet window pane.
Slitherslide to the dirt.
Strip it away.
Tear off its clothes.
Stand it naked on a pedestal.
Scrub it raw.
Finger it.
Finger all the dark places.
Strip off the skin.
Pull the nails.
Pluck the hair, face, eyes.
Rip muscle from the bone.
Throw bone into the chipper.
Leave the heart, and its veins spread like lightning in blossomed freeze.
Carry no blood.
Somewhere behind the sinew,
the tough and liquid mass,
That’s where you’ll find you.
In place beyond being,
not-being and the same.
You wanna kill?
Kill everything.

Target: 1400 words
Written: 175 words, poem: Constrained

Read: Zen Mind, Beginner's Mind, Shunryu Suzuki
Comics: Jack Of Fables 39-40, Fables 90, Cinderella: From Fabletown With Love 1
Music: 1969: Velvet Underground Live, Vol. 1, The Velvet Underground

the conflagration of boor and aghast – playlist

As I’m wont to do, I created a playlist to go along with this beast that was Bad Neighbours.

This one is a little more tongue-in-cheek and less moody.

This one is a little off.

This one was more general theme than specifics. The Mungk, I tried to fit specific songs to each scene; for Boor/Aghast, more of them had an overall thought to them. Joey could have applied in multiple places, as could White Trash Millionaire (and how could I pass using that, given the content?) I couldn’t find anything for between Dylan and Stewart; perhaps it’s my dissatisfaction with the scene. I considered Queen’s I’m Going Slightly Mad, but it felt like soft on soft on soft, and out of place. I had intended on ending with Walter Lemon’s turn to militancy and Dre, but then I had a waking dream about Walter Lemon, in cartoon form, taking his revenge on his enemies during end credits to Katy Perry, up to and including the orange menace.

Whether that would ever make it in a movie form is debatable; if that idiot’s still in charge, it would probably be lock-up for everyone involved, since, you know, fucking fascist.

It’s of questionable taste anyway. I’m not a person who advocates violence, but I am a person who hates fascism, and authoritarians of any stripe. I believe a good punch in the face would probably solve a lot of problems. Consequences, especially early on when problems first arise, can solve a lot of shit.

Anyway: Enjoy my weird pretentious liberal/80s crotch rock blend. Like a pumpkin spiced latte someone’s peed in.

The Walkthrough: Edith Piaf – Le Vieux Piano (3:13)
Kismet: The Scorpions – Rock You Like A Hurricane (4:12)
Our Dog In The Street #1: The Tragically Hip – Tired As Fuck (3:45)
Joey’s First Beer: Concrete Blonde – Joey (4:07)
Bowling Springs: Green Day – No Pride (2:20)
Delta-Fucking-Eighty-Eight: Jackie Brenston – Rocket 88 (2:47)
The Council Meeting Revelation: Black Stone Cherry – White Trash Millionaire (3:19)
Anger Baby: Ugly Kid Joe – Everything About You (4:20)
Tased: Accept – Balls To The Wall (5:43)
The Shooting Gallery: Pyotr Illyich Tchaikovsky – Symphony No. 6 In B Minor, Op. 74, “Pathetique”: III. Allegro Molto Vivace (8:51)
Our Dog In The Street #2: Dead Kennedys – Saturday Night Holocaust (4:19)
Boarded Up Windows And Blue Jeans: Warrant – Cherry Pie (3:21)
The Thing: Pat Benatar – Shadows Of The Night (4:22)
ASSHOLE: Bobby Darin – Splish Splash (2:12)
We Killed Some Poor Creatures For Your Dining Pleasure: The Buzzcocks – Mother Of Turds (3:21)
Get Me That Shelley Account: Jimmy Eat World – Bleed American (3:03)
Our Dog In The Street #3: The Muppets – Together Again (2:53)
Screaming Through The Door: Motley Crue – 18 & Life (3:53)
Waiting For Bail: CJ Ramone & Bad Chopper – Ain’t No Criminal (3:32)
Don’t Make Us Come Out There: Bob Dylan – The Times Are A-Changin’ (3:17)
Bonfire Of The Vanities: Rod Stewart – Tonight’s The Night (3:56)
Dawg, Fish, And Shank: Dr. Dre/Eminem – Forgot About Dre (3:42)
End Credits: Katy Perry – Never Really Over (3:44)

Target: 1400 words
Written: 519 words, poem: Kill Everything

Read: Zen Mind, Beginner's Mind, Shunryu Suzuki
Comics: Jack Of Fables 37-38, Fables 88-89
Music: 17 Song Demo, Anti-Flag