perspective

I always miss the point.

I don’t know why. It can be staring me stark in the face from six inches away and I’ll crane my neck to look around it, to see what’s on the other side.

I guess it’s a matter of perspective. I spent a lot of years with none, and now, to rectify that, I’ve gone whole hog the other direction.

The other side of the road. The alternate view. The real truth – yours, mine and reality, from as many angles as I can scope.

And it’s blinding.

The funny thing is, this isn’t about overanalysis. A lot of people might interpret this as second-guessing or lack of confidence or whatever, and maybe to some extent, that’s the case.

But mostly it’s about being burned, over and over again, by a lack of insight.

Like right now.

I’m about to fire an asshole, over the accusation that he touched a woman’s bum. He sits in front of me, all hang-dogged in his expression, his big brown eyes threatening tears. His hands are folded in his lap, and they fidget as only the guilty can. Or the innocent, who don’t know why they’re there, but know it’s bad.

The assumption is guilt, but it could go either way. Would he protest more if he were innocent or guilty? Would I be able to tell the difference? Tone of voice, waver, urgency. Would I recognize crocodile tears? Doth he protest too much?

Most of upper management wanted him gone the same day without even cursory examination. A show of strength. For the females in the group, a show of solidarity. For the men, a desire not to show sympathy for the acts of an accused molester.

It’s all optics. Political correctness and “action” as a substitute for facts and discovery. Talking points, the surrogate, in the place of judgment, made in bluster about the ‘right thing’; in reality, about not getting sued or cancelled. Protect the bottom line, at all costs.

Me?

I can’t let it go without perspective. I believe that we start neutral and ask questions and work toward the truth. That starting with an assumption of guilt predisposes us to dismiss evidence that suggests otherwise, and limits our desire to seek out the truth.

Starting with an assumption of innocence can do the same. It’s not terribly fair to the victim, especially if they are a victim. It’s hard to feel good about accusing someone who’s been wronged of exaggeration or deceit.

On the other hand, if they are lying… I know it’s not popular to assume they are, but it does happen. More often than I think we care to admit. You’ve met people, right? They lie.

Of course, if you have to start with one or the other, innocence is the way to go. Better to believe in the inherent goodness of people than not.

Anyway, there’s this fucker, running around, wanton hands on the behinds of unsuspecting women, or so his accusers would have us believe, without examination or skepticism. I choose investigation. Questions. Find the truth so the truth can out.

It wasn’t a popular decision, but like I said, I need perspective. I’ve been told how unfair this is to the victim, that she should be listened to with unwavering belief, as though she’s God, and we’re the Catholic faithful.

But I’m agnostic.

If we’re about to destroy a man; perhaps a suspension of all disbelief is not the best method to do so. After all, the guy is married. He has two children, both toddlers. If found guilty, he has to go home to his wife and children and tell them he lost his job – for sexually assaulting a woman. Maybe he lies to them, but there’s lots of mutual friends; the truth will out eventually. It always does.

And then what?

Does his wife forgive him? Does she leave him? Does she take the children? Do the children grow up with angry, divorced parents or without a father because of one unwanted hand on someone’s behind?

Does he lose his house, his car, his family? Does he end up broke and homeless, on the street, shunned by friends and family alike, unhireable by any company that doesn’t want to risk a potential rapist in their midst?

A life destroyed. For a hand on a butt.

Multiple lives destroyed. Collateral damage. Innocent lives destroyed. Children’s lives.

For a hand on a butt.

The woman will go on. She’ll forget about this in a week or two, when things settle, and she’ll go back to her life in her cubicle with her friends and her new boss.

Oh yeah. Did I mention he’s her boss?

Yeah. Super shitty.

If legit.

Anyway, the woman will go back to friends and family and work and maybe some other man’s hand on her ass, and chances are, little will change for her. She might get creeped out at the thought of this guy if it comes up. She might be kind of skeeved.

He, on the other hand, may be on the street. He may lose everything, while the extent of her trauma is an uncomfortable memory, from time to time.

Proportion becomes a word to think about.

Proportion and perspective.

While the masses howl for blood, I ask questions. Compare and contrast. Weigh options. Consider motive, as well as action.

Who brought the charge?

The woman did. She was pushed into it by her boyfriend who also works in the space, and by his boss. She told us as much.

That’s interesting.

In her interview, she openly admitted to flirting with the accused and not actually wanting to speak with HR. Her boyfriend insisted.

The boyfriend has a history with other women in the building. He’s taken them to HR more than once to resolve some petty dispute, rarely work related. At times, he’s used the threat of discipline and termination to keep an ex-lover away from him, even as he texted them for a booty call that night. He’s used HR to separate lovers he didn’t want to know about each other. He’s promised no more contact with former flames, only to re-engage immediately. More than once, the full story was shrouded in obfuscation.

Motive. Past tactics.

Half-truth for revenge on possible rival?

What about the boyfriend’s boss, who backed the allegation, though not a direct witness?

Similar rival. The accused was involved with a friend of his. Both were married. Suspicions of emotional cheating. A lot of texts and flirting. The boyfriend’s boss, then only co-worker, was livid with moral outrage, despite his similar behaviour with another employee, also married. The boyfriend’s boss isn’t exactly known for his ability to keep his pen out of the company ink. Indeed, the boys’ club, locker room bullshit is how he got promoted in the first place.

Motive again. Revenge is an aphrodisiac.

Alternate perspective. Assume good will.

Boyfriend genuinely upset about sexual assault on girlfriend. Girlfriend hesitant to report, due to stigma or concerns about backlash or believability. Boyfriend leverages boss. Boom. Human Resources.

Justice.

Or…

Motives of jealousy and general dislike, an accuser uncertain about making accusation, who actively admits to both flirting and enjoying said flirtation. Exaggeration or intentional deception?

Misread signals? Overzealous overture?

Inappropriate act.

Perhaps the word proportion needs to return.

Re-assignment? Demotion? Discipline? Isolation? Suspension?

Boyfriend makes threats of police involvement. The issue is being pushed. I can feel the twine pull tight around my hands. Still.

Still.

Innocent until proven guilty.

And if guilty? To what degree? Will his accusers laugh to themselves, smug and satisfied, as my judgment gives their drama legitimacy? What if their drama is false? What if it’s not true?

The man’s on the street. Dead in a gutter. Victim of the drink.

Or maybe none of that. Maybe his wife forgives him with open arms, knows he’s innocent, and he’s employed in days, if not hours.

Like I said. Perspective. Knowledge. Speculation. Too many ways to look at it. Could be the guy’s a real creep. Definite possibility. Hasn’t come across that way in the past, but he is over-friendly, with everyone.

So many ways to see it. So much information.

I’ve always been jealous of those who charge forward, heedless of reality.

A witness comes out. Heavyset girl, teammate of the plaintiff. Best friend. Says she saw the whole thing.

Funny. We were told there were no witnesses. Plaintiff versus defendant, alone, in the library with the candlestick. He said. She said.

The witness is the best friend. Convenient, but no way to refute.

There’s a whiff in the air.

But here we are.

With this guy.

This fucking guy.

The only thing we can do hangs in the air. And my time is running out.

I lean in, my fingers crossed on the table before me. My voice, laden with gravitas.

“I’m sorry, son. We have no choice but to let you go…”

Target: 1400 words
Written: 504 words, short story: Perspective

Read: The Catcher In The Rye, J.D. Salinger
Comics: Fables 101, Cinderella: Fables Are Forever 1-3
Music: February 11, 1990, Cactus Club, San Jose, Nirvana

jane says

“Jane?”

I roll over in bed. The fog of sleep squeezes my forehead. My eyes struggle to adjust to the light. “What’s the matter?”

My voice is a whisper in the dark. I can’t see Jane properly, but she’s sitting up. The outline of her body is a slate silhouette against the headboard.

“Honey?” I say a little louder and reach my hand over to her side of the bed. It lands on her knee. She doesn’t move. I shake her leg, gently, at first, then with a touch of vigour. She doesn’t budge. There’s a kind of lull in the arc of her head as it bobs down. “Babe.”

Jane doesn’t respond. My teeth grind in frustration. This isn’t the first time she’s done something like this.

“Really? You’re still mad about earlier?” I shake my head.

Again, no response.

“You know I didn’t mean nothing by it. I just wish you’d be a little cooler, you know? Sometimes.”

A car speeds past outside. Its headlights cut a jagged silhouette across the ceiling. Jane’s faced away. Head down.

“I mean, it’s not that you’re not a good wife or whatever. It’s just, sometimes, you pick at me. And we aren’t as, uh, intimate, as we used to be.”

I pull my hand back from her knee. The sullen shape next to me sits in silence. In my mind, in the darkness, her arms are crossed, her lips pursed and pouting. I know what this is about. This goddamn shit again. The bitch doesn’t trust me.

“Listen, what Lisa said don’t mean nothing. I mean, I know you think there’s something there, but I swear to you, there’s not. It’s just… listen. She’s got a nice figure. That’s all I meant by what I said. And then you started with the cheating talk and I was only trying to explain myself. I love you. I mean that. But she’s a pretty girl and sometimes, a pretty girl starts talking to you and you don’t really think and that’s when you get in trouble.”

I breathe in deep. Around me, shadows loom out of the furniture, from behind lamps and dressers and pillows stacked in the corner. There’s a weird scent to the room, familiar, but out of place.

“I mean, I guess you’re right. I shouldn’t have been talking to her like that. It wasn’t flirting, I swear, but I can see your point. But she shouldn’t have told you. She’s your friend. If she didn’t want nothing to do with me, I mean, if she were getting the wrong impression, she should’ve said so. I didn’t mean nothing by it. Instead, she’s gotta start shit between us.”

It’s a sort of sharp smell, but subtle.

“I know I should’ve told you. But it wasn’t a thing, not to me! I didn’t think I did nothing wrong. How was I to know she was gonna make a big deal out of it?”

I roll onto my side and place my fingers on Jane’s shoulder.

“Anyway, I’m sorry. You’re right and I’m wrong and I’ll make it up to you,” I roll my eyes. “I won’t talk to Lisa no more, that’s for sure. Who knows what kind of crazy shit she’ll make up next?”

Jane sits unmoving, a statue in the night.

“Not that it was all made up, but you know. Exaggerated, probably. I don’t know exactly what she said to you but knowing her, she probably made it sound way worse than it actually was.”

Jane’s eyes point down at her lap, inscrutable in the darkness.

“Jane, honey. You gotta say something.”

Silence.

“Come on already. Speak up.”

I snatch my fingers back from her shoulder and shake my head. It only takes an instant for the rage to well up inside me. I’m so fucking tired of this shit. Enough’s enough.

“You know what? Fuck this. You always fucking do this. Something happens you don’t like and all of a sudden, I’m the worst fucking person in the whole wide world! And then I gotta sit there and listen to you go on and on and give me the fucking silent treatment because you don’t trust me for shit.”

The mattress bounces as I sit up and lean back against the headboard, arms crossed.

“So what, I said your friend had a nice body. So what? That’s not my fault. It’s true. I see her, jogging through the neighbourhood. She works out at the gym. She looks good. When’s the last time you went for a jog, huh? When’s the last time you went to the gym?” I demand. “Never mind. Don’t answer. I already fucking know. Fucking never.”

She’s gonna get it now. She’s gonna wish she never tried to take me on. Bitches gotta know their place.

“So, yeah, I fucking look. Maybe if I was treated a little better at home, I wouldn’t. Every night, you got a fucking headache or something. You gotta work in the morning. You’re pissed at me for some reason. Christ, I stayed out, like one night, with Chuckie, and you’d have thought I murdered a fucking baby.”

I give her my best mean stare in the dark.

“Oh, I know you didn’t say nothing, but I can tell. It’s your way or the highway, right? Because it’s not like anyone else should compromise, huh? Look at you. What effort are you putting into this relationship? Maybe if you had a body like Lisa’s, we wouldn’t be in this situation. Or maybe if you took care of my needs once in a while. I mean, we haven’t had sex in a week. I can’t even remember the last time I got a blowjob. Like, three weeks ago? A month?”

My hands gesticulate in the dark, animate cursors of past injustice.

“I do so much for you. Last week, I bought you a brand new fucking microwave and what’d I get for it? Not even a thank you. Maybe I’m not the one who should be sorry here. Maybe it’s you. Maybe if you weren’t such a fucking bitch all the time, we wouldn’t have this problem.”

I stop to wait for a reply, but none comes.

“You’re such a fucking coward,” I spit. “So passive aggressive. Can’t just speak your mind like a normal person. No, you gotta sit there like a fucking lump and give me the silent treatment.”

Jane’s silence continues. Fucking cunt. Fucking bitch. My lips curl into a sneer.

“No wonder I’m looking,” I throw up my hands. “You don’t talk to me. You don’t communicate. You don’t wanna mess around. I’m not a fucking mind reader! I don’t know what you want!

I throw my hands up in the air in exasperation. Still, nothing from her side of the bed. Christ, she’s really leaning into this whole silent treatment, the bitch. I decide to change tack.

“Listen, all I’m saying is I’d like a little more attention. And maybe for you to drop like, I don’t know… ten pounds? Twenty? It’s not like I’m asking you to go fucking bulimic or something. What are you? A buck forty now?”

Nothing. Huh. Thought that’d get her for sure.

“Maybe thirty pounds. I mean, it’s not that much, really.”

It’s like talking to a ghost.

“Fuck, no wonder I’m hitting on Lisa,” the sarcasm drips from my mouth. “With all this intellectual stimulation and conversation I got at home. She’s a fucking liar, but I’d bet she at least talks to her man. You don’t start talking, I’m gonna be that man soon. I bet Lisa wouldn’t give two shits about screwing you over once she hears what a fucking bitch you are. I know you don’t know it, but I’m a catch. Any girl’d be lucky to have me.”

I scan for any hint of movement. None is forthcoming.

This shit really burns my ass.

Fine. She wants to play this game, I’m going scorched earth.

“And what are you?” I continue. “Huh? You think you’re a fuckin’ prize? A bitch who can’t spend half a second on her man? You don’t even look nice when we go out places. You’re embarrassing. It’s embarrassing to be with you. You fat, fuckin’ pathetic, fuckin’ bitch. You know what? Fuck you, Jane. Fuck you.”

If that don’t do it, nothing will. I flop down on the bed, face away from her and sneer.

I bet she’s got tears running down her cheeks. I bet she’s gonna cry. I listen for sounds of sniffling, but it’s quiet city on that side of the bed. There’s nothing at all. I lift myself back up on my elbows and search Jane’s face for signs of distress. It’s too dark to tell. She still doesn’t say anything.

The bitch.

I jerk her wrist from beneath the sheet and squeeze. I’m gonna get something out of her one way or another. Something squishes between my fingers, slithers out between my knuckles as I wrench down on bones, bones that feel ready to break. Instantly, my hand snaps back. I hold my palm up in front of my face, but the night provides only the greyest of glistens.

“Why are you all fucking wet?”

Instinctively, my eyes go back to Jane’s face. Her shadow stares back, black pits on a black face, in a black room. The out-of-place smell comes stronger now.

“Oh, no, no, no, no, no.”

I reach for the lamp beside the bed. The shift in the mattress rocks Jane and she slumps sideways, out of the bed, onto the floor with a clatter and a thud. She bounces off the nightstand, her legs still trapped in the sheets. Her skull loudly off the hardwood. Something metallic skitters across the floor.

“Shit. Jane? You okay?”

I click the lamp on. A pair of red circles stain the mattress, bled together and trailing off the side of the bed. I can’t see Jane’s face. Only her naked legs twisted up in the sheets, and the hem of her nightgown fallen up over her hips, exposing her to the night air. Rivulets of blood stain her thighs. One wrist, twisted up, seeps slow red.

“Jane?”

I lean toward the fallen figure draped off the edge of the bed.

“Honey?”

The stain in the mattress floats back up under my weight, pooling beneath my hands.

“Say something. Anything.”

Across the ceiling, the lights of a passing car slash through once again.

From the floor, silence.

Target: 1400 words
Written: 433 words, short story: Jane Says

Read: Plot & Structure, James Scott Bell
Comics: Cinderella: From Fabletown With Love 6, Jack Of Fables 45, Fables 95-96
Music: December 28, 1988, The Underground, Seattle, Nirvana

we are all going to die

I mean, probably. Well, definitely. The question is really when and how.

Is it when Trump starts the end of the world? Is it a pandemic exploding through us because morons think vaccinations are somehow worse than the disease they’re designed to protect against?

Is it climate change?

When I write, I’ve often dreamed of it as being read still hundreds of years hence (I imagine that’s true of many artists). At this point though, hurtling toward climate collapse at least, I’d be happy if we still had books at all in twenty years. Or if anyone was around to read them.

Maybe someday, aliens will settle our barren, self-destroyed plant, and find those written and using supercomputers we haven’t dreamed of, translate them and think, Jesus, what a bunch of fucking assholes.

And then they blew it all up.

Damn, dirty apes.

(A story, as told by a fatalist, using cultural references aliens probably won’t get, because I don’t think we ever beamed Charlton Heston to space. We are the monkeys, man! The monkeys are us!)

Target: 1400 words
Written: 1071 words, novel: Bad Neighbours

Read: Tesla: Man Out Of Time, Margaret Cheney
Comics: Fables 40-43
Music: 06.27.01 Peel Session, The Strokes

night market

A thoroughly enjoyable evening, after last night’s thoroughly enjoyable oyster bar.

Followed tomorrow, probably by thoroughly enjoyable heartburn.

My scale is crying.

Why would a man eat an entire buffalo chicken and blue cheese pizza to himself?

What could possess him?

Devil’s work, if you ask me.

But don’t. The shame won’t allow me to answer.

Target: 1400 words
Written: 3020 words, novel: Bad Neighbours

Read: Complete Poetical Works, Edgar Allan Poe
Comics: Fables 24-27
Music: Wrecking Ball, Bruce Springsteen

the rundown

Multiple meanings for that these days, as you’ll eventually see.

If there’s ever a movie written of my life, it’s going to be a lot of stuttering and masturbation, followed by a slow, tortuous breakdown in front of a computer.

I know it was a shittier time, but past generations had such grand adventures; our life is so regimented now.

You must do this. You must do that.

There’s no time for peace. No time for quiet.

Where’s my goddamned quiet at?

No, I run, and run, and run, it all just runs me down.

Target: 1400 words
Written: 1823 words, novel: Bad Neighbours

Read: Prozac Nation, Elizabeth Wurtzel (I was excited to read this, thinking I might comiserate, but this is far less a description of depression, but rather narcissism using depression as its party mask.  There's a point where she reaches true depression, I think, and there's a perfect description of it, which made me think, okay, finally, she understands, but then she does it all away with a drug, then spends the rest of the book bemoaning the fact that she did it before it was cool, like some pretentious alt-rock kid pissed off the little indie band they liked signed a deal with a major label.  This book?  Five percent depression, the rest about a real as the proverbial cut my wrist width-wise instead of lengthwise cry for attention.  Disappointing.)
Comics: Fables 20-23
Music: World Container, The Tragically Hip

well how about that

I’m still writing about feces and doormats.

Steinbeck wrote about the Great Depression. Fitzgerald about the vapidity of the rich.

Shakespeare wrote of love and loss and tragedy, of empire and family.

And I’m writing about feces on a doormat.

Perhaps I’m not really cut out for this whole literary genius thing. I’m the Meatballs of the Great Canadian Novel. This generation’s A Clockwork Orange is actually a rendition of Porky’s, by way of American Pie.

Porky’s did bring us Kim Cattrall, however, and that’s a fucking gift.

Screw Sarah Jessica Parker. I never liked her anyway.

Target: 1400 words
Written: 2321 words, novel: Bad Neighbours

Read: The Never-Ending Present, Michael Barclay (and now I'm crying, damn it)
Comics: Fables 1-4 (finally, something good)
Music: Workbook, Bob Mould

westworld

See, these are reboots that I can get behind, because the movie was whatever. The series though…

The problem is, we don’t need to need to reboot everything. Where’s our new ideas?

Where’s the innovation?

No wonder fascism is on the march.

Everything old is new again, and we’ve apparently run out of ideas.

Target: 1400 words
Written: 1392 words, novel: Bad Neighbours

Read: The Never-Ending Present, Michael Barclay
Comics: Bloodstrike Brutalists 23-24, 0, Bloodstrike Battle Blood 1
Music: Wolves In Wolves' Clothing, NOFX

reminders

This book is reminding me of why I love the Hip, and Gord Downie in particular, and why my heroes went from being rebels who gave everyone the finger, to nice people who weren’t afraid of hard truths and dark places.

Loudmouth boors be damned.

Give me a soft-spoken purveyor of real things, dark and light, any day.

Target: 1400 words
Written: 1407 words, novel: Bad Neighbours

Read: The Never-Ending Present, Michael Barclay
Comics: Youngblood v6 4-7
Music: Without You I'm Nothing, Placebo

it’s nice to be reminded

Of just how bad you are at art.

How on another plane artists like Gord Downie, Lou Reed, Patti Smith and Leonard Cohen are.

How other people understand that.

How you’re a fucking peon and a boor, a shitpile no-talent with no future and no gravitas.

But hey, I wrote a book about the monster under the bed, and a guy getting humped by a dog, so there’s that.

Target: 1400 words
Written: 687 words, novel: Bad Neighbours

Read: The Never-Ending Present, Michael Barclay
Comics: Bloodstrike v2 2, Youngblood v6 1-3
Music: Without A Sound, Dinosaur Jr.

remember, remembrance

I’ll be honest. I grew up on tales of World War II. My grandfather was in the army, although he didn’t talk about it a ton.

He did tell me a story I turned into a book for a project in public school; years later, I’d find it and discover he’d related the Great Escape. He was proud of it though; I believe he was a medic. He still had his uniform folded and pressed in the attic, along with a number of commendations, letters from my grandmother and pictures of him in gear.

I should probably look into that.

Anyway, thanks, Grandad, for either punching Nazis or healing the ones that did, whichever it was.

I’m sorry we’ve let them come back into power. I am ashamed for us.

We will do better, I promise.

At least, I will.

Target: 1400 words
Written: 2203 words, novel: Bad Neighbours

Read: The Picture Of Dorian Gray, Oscar Wilde
Comics: Youngblood Imperial 1, Youngblood v4 1-3
Music: Winning Days, The Vines