caught up, okay

I’m okay. I’m probably okay.

I mean, nobody’s really okay, but I’m okay-ish. All my idols are being destroyed one by one, which probably means one shouldn’t have idols. The lovely men and women of the world never seem to be the ones at the forefront, the darlings; it’s always the guy nobody really realized until they were gone.

Also, again, no correlation between talent and being a good person.

(See Spacey, Kevin)

It’s easy to go off the rails, and I think we underestimate how much fame can affect a person. How when people start throwing themselves at you and it’s no longer an effort to earn things, one can become entitled to the point of criminality.

For the most part, we let them get away with it, which is why it’s such a goddamned shame when the public image is ripped away.

Fuck ’em, for the most part.

But still. The Usual Suspects, Neverwhere, The Belgeriad… still good, or even great, even if the ones that created them are monsters.

It’s a conflict that never ends; is great art made less great by bad behaviour, or is bad behaviour just one facet of an artist, to be divorced or overlooked when evaluating the content of the work?

No one is perfect; some men are far less so.

There is no answer here, only acknowledgement.

Perhaps we’re just fooling ourselves, because we want to believe. We want to enjoy. We want to love.

But humanity is complex; there are ever demons with which to be dealt.

Target: 900 words
Written: 949 words, novella: The Mungk

Read: The Happiest Days Of Our Lives, Wil Wheaton
Comics: The Wicked + The Divine 12-13, Phonogram: The Immaterial Girl 1-2
Music: Up To Here, The Tragically Hip (fucking seminal, man - if Gord Downie is ever outed as a rapist or racist or whatever, I will lose all faith in humanity.)

Leave a Reply

Your email address will not be published. Required fields are marked *