i’m about to have a nervous breakdown

Sung in the key of Keith Morris.

That’s where I’m at. I kill myself, all day, starting at 4:50AM (yes, IN THE GODDAMN MORNING), bust ass getting ready, taking care of dogs and cats, work my ass off for 8 hours, come home, walk dogs, make dinner, and by the time I’m all done, it’s 6:30, 7 o’clock at night.

Fourteen straight hours of hard go, every day, and what do I get for it? Slippery tongs that send the roast I made halfway across the fucking kitchen to land in a pile of dog fur.

Grilled cheese sandwiches it fucking is.

Fuck today, all the way off.

Target: 1400 words
Written: 1357 words, novel: Bad Neighbours

Read: Prozac Nation, Elizabeth Wurtzel
Comics: Fables 13-15, Fables: The Last Castle 1
Music: Whiskey On A Sunday, Flogging Molly (or every day)

hoping for better depression

So, I suffer from depression. I don’t take drugs for it. I don’t go to therapy. I’m sure that would probably help, but the drugs I’ve tried have always made me feel worse, rather than better, and well, who the fuck has the time and money for therapy?

The thing is, I refuse to let it define me. It can run me, and it’s a struggle and fight every single day. Some days are worse than others. But I will not be labelled as the guy with depression.

I see it a lot now, and perhaps it’s a generational thing, where people label themselves with whatever damage they’ve got, physical or otherwise, and then that becomes their identity. It’s not a bone that needs to heal; it’s a bone that needs to stay broken, because it’s who they are.

It defines them.

But we’re so much more than that. Melancholy (aka depression) was just a piece of Abraham Lincoln. One could hardly say it was the primary fact of this life.

It was only part of it.

The generations behind me (and I blame my own shoegazing generation for starting this shit) seem to think it’s the only definition of themselves that matters.

I have anxiety, therefore, I am anxiety.

I have ADHD, therefore all I am is a lack of focus.

Man, fuck that. Treat yourself, do the things you have to do to get better or at least, function better within the restrictions you’ve got, but shit – it ain’t you.

Depression is not an identity; it’s just a thing that happens.

Depression is not the core of your self; it’s a chemical imbalance, or the sum total of some disparate thoughts or shitty life events.

It is NOT you.

That’s important. Remember that. You are not your depression; you are you.

And you have control over that.

Target: 1400 words
Written: 1102 words, novel: Bad Neighbours

Read: Prozac Nation, Elizabeth Wurtzel
Comics: Fables 9-12
Music: Whip-Smart, Liz Phair

truth telling

I mean, I know we all think we know the truth, but the reality is that the truth is what it is and we are not always aware of all of the aspects of it. Multiple things can be true at any given time.

I have not lived an exemplary life. I’ve lied, I’ve cheated (my family and all my friends banned me from playing Monopoly) and probably worse, if I’m honest about it.

I am still not entirely honest with myself and the people around me, because I feel rejection. I have issues with insecurity and depression.

None of these things means I’m a horrible person by necessity, but neither do they make me an exemplary one.

Truth and perspective are the two things I chase most in my life, and as I get older and open myself up to that more, instead of living in safely comfortable fictions and denial, I find the truest thing I know is that truth and perspective are often not in accordance, but more of one inevitably creates more of the other.

Enough perspective and truth is revealed; how could it not be?

Truth knocks us out of our fictions, our blind spots; it provides perspective where none may have existed.

More truth. More perspectives. These are the only things that matter.

There is truth. There is perspective.

These things are not mutually exclusive. But one perspective, held without truth…

Well, there’s the rub, isn’t it?

Target: 1400 words
Written: 791 words, novel: Bad Neighbours

Read: Prozac Nation, Elizabeth Wurtzel
Comics: Fables 5-8
Music: While You Were Out, Soul Asylum

well how about that

I’m still writing about feces and doormats.

Steinbeck wrote about the Great Depression. Fitzgerald about the vapidity of the rich.

Shakespeare wrote of love and loss and tragedy, of empire and family.

And I’m writing about feces on a doormat.

Perhaps I’m not really cut out for this whole literary genius thing. I’m the Meatballs of the Great Canadian Novel. This generation’s A Clockwork Orange is actually a rendition of Porky’s, by way of American Pie.

Porky’s did bring us Kim Cattrall, however, and that’s a fucking gift.

Screw Sarah Jessica Parker. I never liked her anyway.

Target: 1400 words
Written: 2321 words, novel: Bad Neighbours

Read: The Never-Ending Present, Michael Barclay (and now I'm crying, damn it)
Comics: Fables 1-4 (finally, something good)
Music: Which Side Are You On?, Anti-Flag (something we all need to decide)

icons i won’t be

I used to want to be William Gibson or George Orwell or J.R.R. Tolkien. Even in my modern days, I idolize Doris Lessing, Andrzej Sapkowski and Thomas Wolfe.

I doubt any of them ever had to write a scene where a fat boor took a messy dump on someone’s front stoop.

Perhaps I should set my sights lower.

Like, MAD magazine or National Lampoon lower.

I’d love to be e.e. cummings or Gord Downie. I’d love to write with the sensitivity of Alan Moore or the abstraction of Kelly Sue Deconnick. Kafka, Chekhov, Palahniuk.

And I’m writing about a fat guy’s feces.

Maybe someday, I could reach even Second City.

Target: 1400 words
Written: 1488 words, novel: Bad Neighbours

Read: The Never-Ending Present, Michael Barclay
Comics: Youngblood v7 #1 (oh dear god, another reboot, with a storytelling style that's no better than it was in the first Youngblood miniseries.  Give up, man.  This shit ain't working.)
Music: Where You Been, Dinosaur Jr.

westworld

See, these are reboots that I can get behind, because the movie was whatever. The series though…

The problem is, we don’t need to need to reboot everything. Where’s our new ideas?

Where’s the innovation?

No wonder fascism is on the march.

Everything old is new again, and we’ve apparently run out of ideas.

Target: 1400 words
Written: 1392 words, novel: Bad Neighbours

Read: The Never-Ending Present, Michael Barclay
Comics: Bloodstrike Brutalists 23-24, 0, Bloodstrike Battle Blood 1
Music: Where The Fuck Is The Revolution?, Closet Monster (RIGHT?)

reminders

This book is reminding me of why I love the Hip, and Gord Downie in particular, and why my heroes went from being rebels who gave everyone the finger, to nice people who weren’t afraid of hard truths and dark places.

Loudmouth boors be damned.

Give me a soft-spoken purveyor of real things, dark and light, any day.

Target: 1400 words
Written: 1407 words, novel: Bad Neighbours

Read: The Never-Ending Present, Michael Barclay
Comics: Youngblood v6 4-7
Music: Where Have All The Merrymakers Gone?, Harvey Danger (one of my youthful favourites)

it’s nice to be reminded

Of just how bad you are at art.

How on another plane artists like Gord Downie, Lou Reed, Patti Smith and Leonard Cohen are.

How other people understand that.

How you’re a fucking peon and a boor, a shitpile no-talent with no future and no gravitas.

But hey, I wrote a book about the monster under the bed, and a guy getting humped by a dog, so there’s that.

Target: 1400 words
Written: 687 words, novel: Bad Neighbours

Read: The Never-Ending Present, Michael Barclay
Comics: Bloodstrike v2 2, Youngblood v6 1-3
Music: When We All Fall Asleep, Where Do We Go?, Billie Eilish (this is a great album, don't care what you say)

the never ending story

I do not understand what is happening with this book. I usually read for about an hour or so a day, which moves me usually about fifty to a hundred pages, depending on the depth of the text, font size, readability, how much dialogue the writer is prone to use, etc.

But this book, The Never-Ending Present, is weirdly entirely out of character. I read for an hour, to move maybe four to five percent on the Kindle. It shouldn’t take more than a week max; it’s now been five days and I’m only barely a quarter of the way through.

Not that I care that much, because it’s about the journey and not the target, but I’m definitely not hitting that reading target I set at the beginning of the year. A stretch goal for me was ninety books; I think of the minimum as a book a week. Basically, four to seven days on average per novel.

I may have to amend that if I’m going to read like this from now on.

Still, I’m enjoying it; anything Gord Downie is my spirit animal.

I just don’t understand why the slow pace, despite the effort.

Target: 1400 words
Written: 2345 words, novel: Bad Neighbours

Read: The Never-Ending Present, Michael Barclay
Comics: Youngblood v5 76-78, Bloodstrike v2 1
Music: When Under Ether, PJ Harvey